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Moss Gropen
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Dorian Hargrove
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Ken Harrison
Patrick Henderson
Tam Hoang
Eve Kelly
Dryw Keltz
Eva Knott
Thomas Larson
Ken Leighton
Matthew Lickona
Mike Madriaga
Bill Manson
Scott Marks
Bob McPhail
Walter Mencken
Joseph O'Brien
Sheila Pell
Ian Pike
Matt Potter
H.G. Reza
Dave Rice
Elizabeth Salaam
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Julie Stalmer
DJ Stevens
Matthew Suárez
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Garrett Harris
Garrett Harris
is a
Reader
contributor. See
staff page
for published articles.
Profile
Activity
Comments
Votes
Butt heads with the artist bio
I think you should submit an a bio for Sandra here in the comments. I'll do Jack Welch's: "Jack Welch received a retirement package in excess of $400 million. Who wouldn't want to be that guy? Wait, you have a soul? Jack can help. He has a CEO training program which will sever your heart from your bank account and help you turn people into numbers."
— September 30, 2015 10:53 a.m.
Music video number ein
You're welcome monaghan. Thanks for the comment!
— September 15, 2015 11:08 p.m.
Tough love at Summerfest
Thanks for the support monaghan. You're right, this IS a half-assed review. This was almost the most disappointing concert I've been to all year. However, it's difficult to say that when someone's family is there and on the stage and wrote the music. I felt manipulated.
— August 17, 2015 9:54 p.m.
Star-spangled drunk
I like it too. It's just funny to me how much has been done to this anthem but this is the time the police got involved.
— July 21, 2015 12:46 p.m.
They're not going to come find you
Good one! I smell a meme.
— June 2, 2015 10:18 p.m.
Spanish music by French guys comes to the Symphony
I can dream can't I?
— May 26, 2015 11:22 p.m.
Is it all about brand recognition?
This is good news. I submit Edward Elgar as a composer with hipster tendencies.
http://www.sandiegoreader.com/users/photos/2015/m…
— May 25, 2015 8:32 a.m.
Show thief!
And since you asked, here is a link to me singing some rep.
https://myspace.com/garrettharris/music/songs
— May 7, 2015 8:54 p.m.
Show thief!
and here we go with the trolls. Well, VeryCurious, should I take the gloves off and tell you what I actually thought of the vocal elements in the concert or should I continue to mention only the positive parts? It's up to you. I am not a Rossini tenor so the Olim Lacus is something I would not attempt in public. The fact REMAINS that the part is NOT written for counter tenor. I have, on several occasions, in fact just last week, mentioned my affiliation with the San Diego Opera Chorus which is a chorus of professional union members. I'm not sure what the issue is here. Is the San Diego Master chorale amateurs devoted to the choral masterworks or not? The San Diego Master Chorus sounds exactly like what it is. Might I ask, VeryCurious, if you are a member of the Master Chorale and if you are, how many of the members do you think take consistent voice lessons to improve their vocal abilities? --Just Curioius
— May 7, 2015 2:09 p.m.
No marketing, sharing, or promotion, please!
Rachel, I've been a union opera singer for 15 years with San Diego Opera. I think after what happened here last season I'm firmly "in their shoes". In fact, they're my shoes. So far as "checking it out" I'm a music critic. I've checked it out. 193,000 divided by the capacity of The Jacobs Music Center is 87 sold out concerts. That did not happen. I'm guessing the pops and outreach programs also factor into that number. I'd also venture to guess that there's some redundancy in those numbers. However, let's say 193,000 individuals saw the San Diego Symphony. That's roughly 3% of the county. I don't call that a success. I've been to umpteen half empty concerts as a music critic and chastised the San Diego audience for not attending. However, the culture surrounding classical music is about the most boring thing in the world. That CEO's of symphony orchestras and opera companies come out in front of their patrons and read off a piece of paper tells me just how passionate they are about promoting classical music. The vast majority of the music performed is in the public domain so I'm not sure which copyright laws apply. Have you ever been to IMSLP.com? The fact that you are the general manager of a classical music organization makes me think that you must know that Beethoven isn't getting any royalties these days. So far as someone holding an iPad in front of your face, no one in their right mind uses the crappy camera on an Ipad. They might use their phone camera or they will snap a few pictures and maybe record a movement of music to remember the concert. I don't know, it's never happened so we can't judge it. It's called "slippery slope" and it's a logical informal fallacy. Mention one-off sell out performances all you want but the fact of the matter is that attendance is an issue and the ATLANTA symphony locked it's musicians out over a labor dispute. "The lockout was triggered after the orchestra’s parent organization, the Woodruff Arts Center, sought more concessions from the musicians, who had agreed to significant pay cuts two years ago. The arts center said that it could no longer afford the orchestra’s deficits." Deficits happen when not enough people care about something to support it either politically or financially. I'll keep doing my best to promote classical music to everyone I meet and you can dither over the intricacies of international copyright law as it applies to the 19th Century music of citizens of governments that don't exist anymore. Sorry but you poked the dragon.
— May 3, 2015 5:24 p.m.
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Leorah Gavidor
Dave Good
Marty Graham
Moss Gropen
Andrew Hamlin
Dorian Hargrove
Garrett Harris
Ken Harrison
Patrick Henderson
Tam Hoang
Eve Kelly
Dryw Keltz
Eva Knott
Thomas Larson
Ken Leighton
Matthew Lickona
Mike Madriaga
Bill Manson
Scott Marks
Bob McPhail
Walter Mencken
Joseph O'Brien
Sheila Pell
Ian Pike
Matt Potter
H.G. Reza
Dave Rice
Elizabeth Salaam
Jay Allen Sanford
Julie Stalmer
DJ Stevens
Matthew Suárez
Amanda Tascher
More writers
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Alpine
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This Week’s
Reader
This Week’s
Reader
Butt heads with the artist bio
I think you should submit an a bio for Sandra here in the comments. I'll do Jack Welch's: "Jack Welch received a retirement package in excess of $400 million. Who wouldn't want to be that guy? Wait, you have a soul? Jack can help. He has a CEO training program which will sever your heart from your bank account and help you turn people into numbers."— September 30, 2015 10:53 a.m.
Music video number ein
You're welcome monaghan. Thanks for the comment!— September 15, 2015 11:08 p.m.
Tough love at Summerfest
Thanks for the support monaghan. You're right, this IS a half-assed review. This was almost the most disappointing concert I've been to all year. However, it's difficult to say that when someone's family is there and on the stage and wrote the music. I felt manipulated.— August 17, 2015 9:54 p.m.
Star-spangled drunk
I like it too. It's just funny to me how much has been done to this anthem but this is the time the police got involved.— July 21, 2015 12:46 p.m.
They're not going to come find you
Good one! I smell a meme.— June 2, 2015 10:18 p.m.
Spanish music by French guys comes to the Symphony
I can dream can't I?— May 26, 2015 11:22 p.m.
Is it all about brand recognition?
This is good news. I submit Edward Elgar as a composer with hipster tendencies. http://www.sandiegoreader.com/users/photos/2015/m…— May 25, 2015 8:32 a.m.
Show thief!
And since you asked, here is a link to me singing some rep. https://myspace.com/garrettharris/music/songs— May 7, 2015 8:54 p.m.
Show thief!
and here we go with the trolls. Well, VeryCurious, should I take the gloves off and tell you what I actually thought of the vocal elements in the concert or should I continue to mention only the positive parts? It's up to you. I am not a Rossini tenor so the Olim Lacus is something I would not attempt in public. The fact REMAINS that the part is NOT written for counter tenor. I have, on several occasions, in fact just last week, mentioned my affiliation with the San Diego Opera Chorus which is a chorus of professional union members. I'm not sure what the issue is here. Is the San Diego Master chorale amateurs devoted to the choral masterworks or not? The San Diego Master Chorus sounds exactly like what it is. Might I ask, VeryCurious, if you are a member of the Master Chorale and if you are, how many of the members do you think take consistent voice lessons to improve their vocal abilities? --Just Curioius— May 7, 2015 2:09 p.m.
No marketing, sharing, or promotion, please!
Rachel, I've been a union opera singer for 15 years with San Diego Opera. I think after what happened here last season I'm firmly "in their shoes". In fact, they're my shoes. So far as "checking it out" I'm a music critic. I've checked it out. 193,000 divided by the capacity of The Jacobs Music Center is 87 sold out concerts. That did not happen. I'm guessing the pops and outreach programs also factor into that number. I'd also venture to guess that there's some redundancy in those numbers. However, let's say 193,000 individuals saw the San Diego Symphony. That's roughly 3% of the county. I don't call that a success. I've been to umpteen half empty concerts as a music critic and chastised the San Diego audience for not attending. However, the culture surrounding classical music is about the most boring thing in the world. That CEO's of symphony orchestras and opera companies come out in front of their patrons and read off a piece of paper tells me just how passionate they are about promoting classical music. The vast majority of the music performed is in the public domain so I'm not sure which copyright laws apply. Have you ever been to IMSLP.com? The fact that you are the general manager of a classical music organization makes me think that you must know that Beethoven isn't getting any royalties these days. So far as someone holding an iPad in front of your face, no one in their right mind uses the crappy camera on an Ipad. They might use their phone camera or they will snap a few pictures and maybe record a movement of music to remember the concert. I don't know, it's never happened so we can't judge it. It's called "slippery slope" and it's a logical informal fallacy. Mention one-off sell out performances all you want but the fact of the matter is that attendance is an issue and the ATLANTA symphony locked it's musicians out over a labor dispute. "The lockout was triggered after the orchestra’s parent organization, the Woodruff Arts Center, sought more concessions from the musicians, who had agreed to significant pay cuts two years ago. The arts center said that it could no longer afford the orchestra’s deficits." Deficits happen when not enough people care about something to support it either politically or financially. I'll keep doing my best to promote classical music to everyone I meet and you can dither over the intricacies of international copyright law as it applies to the 19th Century music of citizens of governments that don't exist anymore. Sorry but you poked the dragon.— May 3, 2015 5:24 p.m.