For those of us who have seen the trailer more times then they have their hand, I say it's about time this opened!
Rob Zombie's sequel to everyone's favorite family picture, The Devil's Rejects.
For the sequel, director Johannes Roberts ups the ante from two sisters dangling in a steel cage to a quartet of teenage girls trapped in an underwater city.
It’s a case of lackluster presentation taking a backseat to historical importance when Dan Kraus and double-Oscar-winner Paul Haggis take us inside San Francisco General Hospital, Ward 5B, the first inpatient facility in the country designed specifically to provide compassion and treatment to AIDS patients. The was 1983, a bygone …
The lives of fourteen subjects are observed staring at age seven and followed by incremental updates every seven years. What was originally intended as a one-off documentary on the British class system for the topical news series is now in its ninth installment. There were many characters that I grew …
What the opening murder/suicide of Dani’s (Florence Pugh) parents and sister brings to bear on the Swedish vacation that follows is negligible. It’s included mostly because writer-director Ari Aster (taking a backward-step after the chilling Hereditary) thought it would be cool to start in the garage and follow a tube …
Howard Ratner’s (Adam Sandler) day is consumed with robbing Peter to pawn to Paul. His life is a constant juggling act, his desperate ploy a complex series of bets involving a multitude of moving parts. If he can distract his clients long enough to keep afloat everything, the rewards could …
Yeti another abominable DreamWorks cartoon?
Yeti another abominable DreamWorks cartoon?
A power surge on an International Space Antenna nearly knocks career astronaut Roy McBride (Brad Pitt, in his earnest, Robert Redford mode) out of commission. SPOILER ALERT: It turns out that Ad Astra, Latin for “to the stars,” is Apocalypse Now in space — there’s a lot of Capt. Willard …
They had me at Uncle Fester’s nipples. And kudos to Nick Kroll for restoring Jackie Coogan’s insensitive lisp to the character! Much closer in spirit to Charles Addams’ ghoulishly byzantine etchings (Lurch was indeed an escapee from a home for the criminally insane) and the '60s sitcom it spawned than …
Inspired by true events? For all the truth the opening title card contains, it might just as well have read, “Insipid by All Accounts.” Wasn’t it John Ford who said, “When the legend becomes fact, print any excuse imaginable to reunite Felicity Jones and Eddie Redmayne in the hope of …