In the violent prologue, a ski-masked commando team of animal-rights activists storms the Cambridge Primate Research Center to liberate the experimental chimps, heedless of the attendant's warnings ("You've no idea!") that the chimps have been "infected" with rage. Sure enough, the chimps do not exactly embrace their liberators. Twenty-eight days …
Michael Apted was only a subordinate member of the filmmaking team that interviewed fourteen British seven-year-olds of varied backgrounds for a 1963 Granada Television program called 7 Up, but it was he who thought to keep up with the group thereafter, tracking them down and shooting them at seven-year intervals …
Zombie recurrence in the U.K., under U.S. military occupation, and under Spanish director Juan Carlos Fresnadillo (of Intacto) in place of Danny Boyle (of the original 28 Days Later). The scrappy, scruffy digital visuals are largely annoying (as if the zombies weren't bothersome enough), though there are some effective scenes, …
A couple’s relationship is put to the test when her adorable relatives decide to pay a visit. Never heard that one before, probably because I gave up on network sitcoms decades ago. Julie Delpy’s follow up to 2 Days in Paris is so sickeningly sweet, theater chains will want to …
Fatuous chatter between mid-thirties lovers, two years together, an uptight American designer and a carefree French photographer, visiting her parents in Paris. Julie Delpy, surrounding herself with her actual family, and showing unknown depths of self-indulgence, is the star, director, writer, editor, composer, and vocalist over the closing credits. And …
Is the title a score? -- as in, the Fast and the Furious all knotted up at two. Or is it a head count, a poll? The ex-cop from Los Angeles (Paul Walker, resuming his role from the unquantified The Fast and the Furious of two years earlier) is undeniably …
Just diverting enough, thanks in large part to the weary charm of Denzel Washington's undercover DEA agent, and the earnest charm of Mark Wahlberg's undercover Navy investigator. (The wiseassery Wahlberg uses to cover the earnestness, alas, quickly wears thin.) Thanks also to a willingness to make almost everyone at least …
Long before fake news became the rage, the promises of fake press releases defined Hollywood hype. The deception lives on with the following heartless pledge: “For two couples, the future unfolds in different decades and different places, but a hidden connection will bring them together in a way no one …
Bernard Rose's latest adventure in adapting Tolstoy for the screen takes the let's-compare-generations story "Two Hussars" and sends it to Hollywood. Dad was a famous director; now the son is taking a crack at the game. And just to add a frisson of something something to the pot, the older …
Richard Davis shot himself 192 times. Why? To invent the modern-day bulletproof vest and launch a multimillion-dollar company. He was a hero to police and the military, until tragedy brought him down. His is an American story of guns, violence, lies, and self-deception.
Like Sin City, this takes its material from a "graphic novel" by Frank Miller, and in turn it takes from the film treatment of that one — or to be more precise, director Zack Snyder takes from director Robert Rodriguez — the same, or similar, unnatural light, "virtual" backgrounds, coarse-grained …
Casino heisters disguised as Elvis impersonators (including Kurt Russell, who had plenty of practice in John Carpenter's made-for-TV biopic on the King). Not the most logical starting point, this, for the slo-mo bloodbath that soon follows. The tone never does stabilize: coolness, callousness, phony sentiment, ga-ga action scenes, sadism and …
Zack Snyder, who has made a couple of comic-book movies of his own (300, Watchmen), wrote the script for this, perhaps his most comic-book movie to date. Some clarification is of course in order: "comic book" here indicates: a complete detachment from the actual constraints of physical reality (cascading sheets …