In the Middle Ages, an unnamed stranger (Karol Bernacki) tends to the wounds of a recently shipwrecked bishop (Krzysztof Pieczynski). Sent on a mission from the King, the latter’s task is basically to beat Christianity into the heads of the heathen islanders, with the alternative being certain death. The natives …
Just awful story of arrested development mistaken for preserved youth. Clips of the real-life game of grownup tag between friends that served as inspiration here are shown at the end, and have the no-doubt unintended effect of revealing what is missing in director Jeff Tomsic’s take: joy, friendship, humanity, and …
Just awful story of arrested development mistaken for preserved youth. Clips of the real-life game of grownup tag between friends that served as inspiration here are shown at the end, and have the no-doubt unintended effect of revealing what is missing in director Jeff Tomsic’s take: joy, friendship, humanity, and …
Shia LaBeouf, Nastja Säde Rönkkö and Luke Turner embark on a month-long project to hitchhike the internet, posting their coordinates online each day and waiting for a ride, with their path entirely in the hands of the public.
Maggie Smith, Judi Dench, Joan Plowright, and Eileen Atkins invite the cameras to join them for several of their regular afternoon teas as they reminisce about their more than fifty years of friendship — from their modest beginnings to their years of taking home awards by the carload — and …
Merchandising masquerading as a cartoon for four-year-olds.
A Palestinian producer throws his regularly unemployed nephew Salam (the exceedingly low key Kais Nashif) a bone, in the form of a low-paying production assistant’s job on TV’s highest rated show, a nighttime soap set three months before the Six-Day War. All the dirty looks Salam scores from the head …
Is it ironic or fitting that director Peter Jackson’s brilliant use of technology should help make such an arresting treatment of a war in which technology — tanks, machine guns, mustard gas, etc. — wrought heretofore undreamt-of horror upon humanity? Either way, it’s astonishing that a film which must resort …
Is it ironic or fitting that director Peter Jackson’s brilliant use of technology should help make such an arresting treatment of a war in which technology — tanks, machine guns, mustard gas, etc. — wrought heretofore undreamt-of horror upon humanity? Either way, it’s astonishing that a film which must resort …