Looking to get his legacy in order, a billionaire elevator magnate (Ray Wise) brings his four children together to announce he has 6 months to live. Not only are the children excluded from the will, if a vengeful dad has his way they’ll be written out of life altogether. The …
The first half-hour plays like a reel of Pixar stand-alone shorts: Woody Goes to School, Woody Saves Forky, etc. It isn’t until the arrival at Granny’s antique store that the film finds its bearings. The voice box tracheotomy was an errant touch of genius. Too bad Disney couldn’t have secured …
The first half-hour plays like a reel of Pixar stand-alone shorts: Woody Goes to School, Woody Saves Forky, etc. It isn’t until the arrival at Granny’s antique store that the film finds its bearings. The voice box tracheotomy was an errant touch of genius. Too bad Disney couldn’t have secured …
The first half-hour plays like a reel of Pixar stand-alone shorts: Woody Goes to School, Woody Saves Forky, etc. It isn’t until the arrival at Granny’s antique store that the film finds its bearings. The voice box tracheotomy was an errant touch of genius. Too bad Disney couldn’t have secured …
Show me a classic cosa nostra saga that doesn’t affirm the importance of family and... well, I submit the latest from Marco Bellocchio. Tommaso Buscetta (played with rumpled aplomb by Pierfrancesco Favino) had no use for the term “mafia;” to his way of thinking, it was a non-existent appellation cooked …
The real life of Tommaso Buscetta, the so-called "boss of the two worlds," the first mafia informant in Sicily in the 1980s. Written and directed by Marco Bellocchio, starring Pierfrancesco Favino, Maria Fernanda Cândido, and Fabrizio Ferracane.
Storytelling takes a back seat to the issue of the death penalty in this true-life story of a father (Jack O’Connell) wrongfully accused of setting fire to his three children. Just because life offers up cliches doesn’t mean a director has to play them as such. No stranger to television …
A ragtag band of mercenaries must prevent an assassin's bullet from reaching its target. Jesse V. Johnson directs.
Do words travel through the universe — and if so, does Christmas Flint’s (Mckenna Grace) late momma hear them? A representative of NASA, upon visiting her school, brings Christmas news of a local competition: first prize is a chance for a troop of Birdie Scouts to leave a message for …
To celebrate the publication of her memoir, Fabienne (Catherine Deneuve), one of history’s most celebrated beauties (and Europe’s greatest actress), has invited her daughter Lumir (Juliette Binoche) — a successful screenwriter in her own right — son-in-law/“internet actor” Hank (Ethan Hawke), and young granddaughter Charlotte (Clémentine Grenier) to her chateau …
It’s rare to find female characters behind more convincing mustaches than their male counterparts, but then again, it’s even more uncommon for a film to come along that defies classification. How else does one account for a subject as potentially lethal as the fall and rise to power of Canadian …
It was the greatest love story never told. For decades, Nina (Barbara Sukowa) and Mado (Martine Chevallier) have lived a romance in the shadows, on the same floor, in opposite apartments. Nobody knew. Not the neighbors, not Mado’s grown children. But sudden illness has a way of shattering many pensioners’ …