As July proceeds, you may begin to detect a certain festivity in the air — a summer festivity, if you will. It could be because the 39th
La Jolla Music Society SummerFest is about to start cranking out another batch of world-class concerts. The festival starts on Friday, July 25, and concludes on Saturday, August 23.
The opening concert features music by Mozart, Maurice Ravel, Sergei Rachmaninoff, and Romanian composer George Enescu. The piece by Enescu is his String Octet in C major. Enescu is one of the most underappreciated composers of the early 20th Century. In some ways, he is like Rachmaninoff. He was born in the late 19th Century and never fully embraced the strident tones of the 20th Century.
The concert on Sunday, July 27, features music by Gustav Mahler, Frédéric Chopin, and Dimitri Shostakovich. The offering by Mahler is his Piano Quartet in A minor.
This piece was written while Mahler was about 15 or 16 years old and a student at the Vienna Conservatory.
The concert on Wednesday, July 30, would be well worth a mid-week excursion to La Jolla. The program features Beethoven’s Piano Trio in C minor, Opus 1, No. 3. This piece comes from Beethoven’s first official composition.
The other piece that makes this concert so special is Felix Mendelssohn’s String Octet in E-flat Major, Opus 20. This is simply one of the greatest pieces of chamber music ever written.
The “Northern Lights” concert on Friday, August 1, offers music by Carl Nielsen and Jean Sibelius. Nielsen is yet another underappreciated composer.
His String Quintet starts the concert, and Sibelius’s String Quartet in D minor, Opus 56, concludes the evening.
On Tuesday, August 5, we get what I’m considering the high-water mark of this year’s festival. The concert features just two pieces, Olivier Messiaen’s Quartet for the End of Time and Richard Strauss’s Four Last Songs.
The soprano for the Strauss is none other than Renée Fleming. Yes, you read that correctly. You had the chance to hear Fleming in the intimate confines of The Baker-Baum Concert Hall. The concert is sold out.
There are far too many concerts to list here, but I will include the finale concert on Saturday, August 23, because it is a chance to hear Mendelssohn’s immortal Violin Concerto and Johannes Brahms’ Serenade in D major.
As July proceeds, you may begin to detect a certain festivity in the air — a summer festivity, if you will. It could be because the 39th
La Jolla Music Society SummerFest is about to start cranking out another batch of world-class concerts. The festival starts on Friday, July 25, and concludes on Saturday, August 23.
The opening concert features music by Mozart, Maurice Ravel, Sergei Rachmaninoff, and Romanian composer George Enescu. The piece by Enescu is his String Octet in C major. Enescu is one of the most underappreciated composers of the early 20th Century. In some ways, he is like Rachmaninoff. He was born in the late 19th Century and never fully embraced the strident tones of the 20th Century.
The concert on Sunday, July 27, features music by Gustav Mahler, Frédéric Chopin, and Dimitri Shostakovich. The offering by Mahler is his Piano Quartet in A minor.
This piece was written while Mahler was about 15 or 16 years old and a student at the Vienna Conservatory.
The concert on Wednesday, July 30, would be well worth a mid-week excursion to La Jolla. The program features Beethoven’s Piano Trio in C minor, Opus 1, No. 3. This piece comes from Beethoven’s first official composition.
The other piece that makes this concert so special is Felix Mendelssohn’s String Octet in E-flat Major, Opus 20. This is simply one of the greatest pieces of chamber music ever written.
The “Northern Lights” concert on Friday, August 1, offers music by Carl Nielsen and Jean Sibelius. Nielsen is yet another underappreciated composer.
His String Quintet starts the concert, and Sibelius’s String Quartet in D minor, Opus 56, concludes the evening.
On Tuesday, August 5, we get what I’m considering the high-water mark of this year’s festival. The concert features just two pieces, Olivier Messiaen’s Quartet for the End of Time and Richard Strauss’s Four Last Songs.
The soprano for the Strauss is none other than Renée Fleming. Yes, you read that correctly. You had the chance to hear Fleming in the intimate confines of The Baker-Baum Concert Hall. The concert is sold out.
There are far too many concerts to list here, but I will include the finale concert on Saturday, August 23, because it is a chance to hear Mendelssohn’s immortal Violin Concerto and Johannes Brahms’ Serenade in D major.