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Townshend, Daltrey, & Co. deliver Quadrophenia to Valley View

Image by Daniel Knighton of Pixel Perfect Images

Forty years after the album’s release, the Who have hit the road with Quadrophenia, a tale of Jimmy the Mod’s identity crisis, as told by rockers of stadiums.

From ambient opener “I Am the Sea” and on through the album in its entirety, Townshend, Daltrey, & Co. rarely paused for a breath. “The (real intro!) Real Me,” with powerful brass, was overwhelming in its grace and bombast.

Townshend’s trademark slashing, windmill arm, and Daltrey, spinning the mic like a lasso, both appeared timeless. Zak (son of Ringo) Starkey had been sidelined at the eleventh hour and a guest drummer filled the spot admirably.

The late, great Keith Moon and John Entwistle made guest appearances via tape of Moon’s “Bell Boy” vocal and Entwistle’s live “5.15” bass solo, tugging on the heartstrings of all.

A stage film backdrop screened a collage of cultural references and icons of the past 50 years, including Lennon, Elvis, WW2, Churchill, the two Bushes, and a 911. And then an encore of promised classics concluded (surprisingly) not with “My Generation” but with “Tea & Theatre” from Endless Wire. Neither song nor record a classic.

As Townshend rightly says, “The Who are a brand, not a band anymore,” and there was, in parts, a feeling of Vegas cabaret about it all. But, in an era when pop music is more soap opera than rock opera and songs are sold by no-hopers, Townshend’s high numbers prove more worthy than ever.

Thanks to Daniel Knighton of Pixel Perfect Images for the photos.

  • Concert: The Who play Quadrophenia
  • Date: February 5
  • Venue: Valley View Casino Center
  • Seats: Left of center
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Image by Daniel Knighton of Pixel Perfect Images

Forty years after the album’s release, the Who have hit the road with Quadrophenia, a tale of Jimmy the Mod’s identity crisis, as told by rockers of stadiums.

From ambient opener “I Am the Sea” and on through the album in its entirety, Townshend, Daltrey, & Co. rarely paused for a breath. “The (real intro!) Real Me,” with powerful brass, was overwhelming in its grace and bombast.

Townshend’s trademark slashing, windmill arm, and Daltrey, spinning the mic like a lasso, both appeared timeless. Zak (son of Ringo) Starkey had been sidelined at the eleventh hour and a guest drummer filled the spot admirably.

The late, great Keith Moon and John Entwistle made guest appearances via tape of Moon’s “Bell Boy” vocal and Entwistle’s live “5.15” bass solo, tugging on the heartstrings of all.

A stage film backdrop screened a collage of cultural references and icons of the past 50 years, including Lennon, Elvis, WW2, Churchill, the two Bushes, and a 911. And then an encore of promised classics concluded (surprisingly) not with “My Generation” but with “Tea & Theatre” from Endless Wire. Neither song nor record a classic.

As Townshend rightly says, “The Who are a brand, not a band anymore,” and there was, in parts, a feeling of Vegas cabaret about it all. But, in an era when pop music is more soap opera than rock opera and songs are sold by no-hopers, Townshend’s high numbers prove more worthy than ever.

Thanks to Daniel Knighton of Pixel Perfect Images for the photos.

  • Concert: The Who play Quadrophenia
  • Date: February 5
  • Venue: Valley View Casino Center
  • Seats: Left of center
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Comments
2

Scott Devours was the replacement drummer who stepped in with a scant two hours rehearsal time on Quadrophenia, and no rehearsal time on the rest of the set. Outstanding job, Scott! He had previously played with Roger Daltrey in his solo band in 2009 and The Who on their recent Tommy tour in 2011.

Feb. 10, 2013

He did an amazing job and displayed unbelievable courage to do it. Quadrophenia is a complex piece of music, it wasn't like he had to play with a Ramones tribute band. Total respect. to him. He saved the day. Love the photos. btw!

Feb. 10, 2013

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