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Dave Good
Marty Graham
Moss Gropen
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Dorian Hargrove
Garrett Harris
Ken Harrison
Patrick Henderson
Tam Hoang
Eve Kelly
Dryw Keltz
Eva Knott
Thomas Larson
Ken Leighton
Matthew Lickona
Mike Madriaga
Bill Manson
Scott Marks
Bob McPhail
Walter Mencken
Joseph O'Brien
Sheila Pell
Ian Pike
Matt Potter
H.G. Reza
Dave Rice
Elizabeth Salaam
Jay Allen Sanford
Julie Stalmer
DJ Stevens
Matthew Suárez
Amanda Tascher
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Del Cerro
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Descanso
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Jacumba
Jamacha-Lomita
Jamul
Julian
Kearny Mesa
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Lakeside
La Mesa
Lemon Grove
Leucadia
Liberty Station
Lincoln Acres
Lincoln Park
Linda Vista
Little Italy
Logan Heights
Mesa College
Midway District
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Mira Mesa
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Mission Hills
Mission Valley
Mountain View
Mount Hope
Mount Laguna
National City
Nestor
Normal Heights
North Park
Oak Park
Ocean Beach
Oceanside
Old Town
Otay Mesa
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Pala
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Palomar Mountain
Paradise Hills
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Pine Valley
Point Loma
Point Loma Nazarene
Potrero
Poway
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Ramona
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David Dodd
David Dodd
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Dirty Old Town
Thanks Nan. Lulu is among my many bookmarked links in the world of publishing. Up until the mid twentieth century, it was very common for writers to self-publish and no one thought much about it. It became taboo only in the last sixty years or so, I suspect from traditional publishing houses that successfully spun such a campaign more for their own increases in profit than from any actual evidence that self-publishing provides a product that is somehow inferior to their own. Recently, that trend is once again reversing, but with a caveat. The idea currently is to self-publish a good product, a product where at some point the author (or even an indie publisher) can take an actual book to an editor from a traditional publisher and pitch it to them for a broader circulation. We are seeing a market that is quickly increasing for e-books, but there is still a question of how long it will take before "most" books are electronic, rather than "some". Until then, an author would be wise to be careful what steps they take in self-publishing. Self-publishing is a viable option, but the care needs to be taken that the product is attractive to a potential traditional, big-house publisher, because that should still be the goal of every author until the dust settles from this digital revolution in literature.
— January 25, 2011 2:11 p.m.
Dirty Old Town
Thanks :) I'm not much of a poet, but one thing that I find important about poetry (or lyrics in this case) is that the formatting sets up the rhythm. When I fell in love with Bukowski's poetry, for example, I found that his rhythm and not just his words made all of the difference in the world.
— January 25, 2011 1:57 p.m.
Shell Game
It usually takes a while, several weeks. You can fast-track it, but they charge like crazy for that. I think I paid over $200 to get one fast tracked (and the government denied me! No refunds!). I went through the City of Chula Vista, but you need to make an appointment.
— January 23, 2011 8:51 p.m.
Dirty Old Town
Actually, I was having a discussion with a writer about this just the other day. There are so many issues in publishing, especially revolving around digital print. Borders is in deep trouble, publishers are in deep trouble, agencies are losing agents because they can't make any money in this climate. Self-publishing used to be the kiss of death if you ever wanted a traditional publisher to notice you, but that's changing now. In another couple of years, the publishing world will take a definitive direction and I'll be able to make a rational decision on my own writing future.
— January 23, 2011 4:09 p.m.
Antiques Roadshow
Needs to Appraise the Appraisers
Let me say from the beginning that I am not a spokesperson for Jay Allen Sanford and am not in any way representing how the Reader might respond to this article. But Mr. arttrak, it's sort of easy to see that the article is presented from the point of view of a certain participant. I don't know a tinker's damn about antiques or appraising, but when you write an article the idea is to present the story from a certain angle. Most of the time, the angle isn't intended to have the reader draw a certain conclusion, but rather to enable the reader to reach their own conclusion based on the attitude of the piece. In this case, I'm unsure of how you are seeing the "show" represented in a negative manner. I really enjoyed this article from the aspect of someone who so desperately just wanted to get on television that he actually waited in line to get something appraised. Why should that involve yourself? In other words, if the "show" was presented from your point of view, it would bore me to no end. Not that you're not a wonderful human being and quite interesting in your own right, but the idea isn't thrilling to me. In other words, I don't want to read about how a bank works, but I'm keen to read a story about a bank robbery, know what I mean?
— January 23, 2011 3:31 p.m.
Dirty Old Town
William Saroyan is the most rejected writer ever, he's my hero :) I'm actually writing a novel that's a fictional account of my life from the time of my separation and divorce through the first few years of my life here in Baja. The stories are entirely true but I changed enough of everything (names, for example) to keep from being sued ;) If I get that one published I'll link it here. I have to wait for the publishing world to decide what it's going to do first. That's a scary world, Nan, they're all just looking at each other trying to figure out what to do next.
— January 23, 2011 3:14 p.m.
Here's the Deal: Imperial House
I would, I already like it. The red decor, holy crap. Great stuff!
— January 22, 2011 8:57 p.m.
Here's the Deal: Imperial House
I'm digging the throw-back stuff. These are places that even I could go drink at and no one would bat an eyelash. Bet the whole crowd chimes in during the chorus when he does "Sweet Caroline".
— January 22, 2011 3:40 p.m.
Dirty Old Town
Thanks, Ms. Grant, I'm just frustrated that it doesn't format properly. Dirty Old Town reads so much better line by line. But you totally get it, and that's exactly the point. MacColl wrote these haunting lyrics about a place he supposedly hated, but there is a halting rationalization at the same time - we don't pick our names and we don't pick where we grow up.
— January 22, 2011 1:03 p.m.
Dirty Old Town
Oh yeah, thanks for the spam too. Jeez. Daily double this morning.
— January 22, 2011 3:14 a.m.
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Poetry
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San Diego Beer
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SD on the QT
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Sheep and Goats
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Special Issues
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— San Diego streets have style
Surf Diego
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Tin Fork
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Under the Radar
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Unforgettable
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Unreal Estate
— San Diego's priciest pads
Your Week
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Chris Ahrens
Ian Anderson
Thomas K. Arnold
Eric Bartl
Don Bauder
Ed Bedford
Siobhan Braun
Robert Bush
Chad Deal
Joe Deegan
Barbarella Fokos
Leorah Gavidor
Dave Good
Marty Graham
Moss Gropen
Andrew Hamlin
Dorian Hargrove
Garrett Harris
Ken Harrison
Patrick Henderson
Tam Hoang
Eve Kelly
Dryw Keltz
Eva Knott
Thomas Larson
Ken Leighton
Matthew Lickona
Mike Madriaga
Bill Manson
Scott Marks
Bob McPhail
Walter Mencken
Joseph O'Brien
Sheila Pell
Ian Pike
Matt Potter
H.G. Reza
Dave Rice
Elizabeth Salaam
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Dirty Old Town
Thanks Nan. Lulu is among my many bookmarked links in the world of publishing. Up until the mid twentieth century, it was very common for writers to self-publish and no one thought much about it. It became taboo only in the last sixty years or so, I suspect from traditional publishing houses that successfully spun such a campaign more for their own increases in profit than from any actual evidence that self-publishing provides a product that is somehow inferior to their own. Recently, that trend is once again reversing, but with a caveat. The idea currently is to self-publish a good product, a product where at some point the author (or even an indie publisher) can take an actual book to an editor from a traditional publisher and pitch it to them for a broader circulation. We are seeing a market that is quickly increasing for e-books, but there is still a question of how long it will take before "most" books are electronic, rather than "some". Until then, an author would be wise to be careful what steps they take in self-publishing. Self-publishing is a viable option, but the care needs to be taken that the product is attractive to a potential traditional, big-house publisher, because that should still be the goal of every author until the dust settles from this digital revolution in literature.— January 25, 2011 2:11 p.m.
Dirty Old Town
Thanks :) I'm not much of a poet, but one thing that I find important about poetry (or lyrics in this case) is that the formatting sets up the rhythm. When I fell in love with Bukowski's poetry, for example, I found that his rhythm and not just his words made all of the difference in the world.— January 25, 2011 1:57 p.m.
Shell Game
It usually takes a while, several weeks. You can fast-track it, but they charge like crazy for that. I think I paid over $200 to get one fast tracked (and the government denied me! No refunds!). I went through the City of Chula Vista, but you need to make an appointment.— January 23, 2011 8:51 p.m.
Dirty Old Town
Actually, I was having a discussion with a writer about this just the other day. There are so many issues in publishing, especially revolving around digital print. Borders is in deep trouble, publishers are in deep trouble, agencies are losing agents because they can't make any money in this climate. Self-publishing used to be the kiss of death if you ever wanted a traditional publisher to notice you, but that's changing now. In another couple of years, the publishing world will take a definitive direction and I'll be able to make a rational decision on my own writing future.— January 23, 2011 4:09 p.m.
Antiques Roadshow Needs to Appraise the Appraisers
Let me say from the beginning that I am not a spokesperson for Jay Allen Sanford and am not in any way representing how the Reader might respond to this article. But Mr. arttrak, it's sort of easy to see that the article is presented from the point of view of a certain participant. I don't know a tinker's damn about antiques or appraising, but when you write an article the idea is to present the story from a certain angle. Most of the time, the angle isn't intended to have the reader draw a certain conclusion, but rather to enable the reader to reach their own conclusion based on the attitude of the piece. In this case, I'm unsure of how you are seeing the "show" represented in a negative manner. I really enjoyed this article from the aspect of someone who so desperately just wanted to get on television that he actually waited in line to get something appraised. Why should that involve yourself? In other words, if the "show" was presented from your point of view, it would bore me to no end. Not that you're not a wonderful human being and quite interesting in your own right, but the idea isn't thrilling to me. In other words, I don't want to read about how a bank works, but I'm keen to read a story about a bank robbery, know what I mean?— January 23, 2011 3:31 p.m.
Dirty Old Town
William Saroyan is the most rejected writer ever, he's my hero :) I'm actually writing a novel that's a fictional account of my life from the time of my separation and divorce through the first few years of my life here in Baja. The stories are entirely true but I changed enough of everything (names, for example) to keep from being sued ;) If I get that one published I'll link it here. I have to wait for the publishing world to decide what it's going to do first. That's a scary world, Nan, they're all just looking at each other trying to figure out what to do next.— January 23, 2011 3:14 p.m.
Here's the Deal: Imperial House
I would, I already like it. The red decor, holy crap. Great stuff!— January 22, 2011 8:57 p.m.
Here's the Deal: Imperial House
I'm digging the throw-back stuff. These are places that even I could go drink at and no one would bat an eyelash. Bet the whole crowd chimes in during the chorus when he does "Sweet Caroline".— January 22, 2011 3:40 p.m.
Dirty Old Town
Thanks, Ms. Grant, I'm just frustrated that it doesn't format properly. Dirty Old Town reads so much better line by line. But you totally get it, and that's exactly the point. MacColl wrote these haunting lyrics about a place he supposedly hated, but there is a halting rationalization at the same time - we don't pick our names and we don't pick where we grow up.— January 22, 2011 1:03 p.m.
Dirty Old Town
Oh yeah, thanks for the spam too. Jeez. Daily double this morning.— January 22, 2011 3:14 a.m.