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Jay Allen Sanford

Jay Allen Sanford is a Reader contributor. See staff page for published articles.

The Sentinel

When I saw it new in theaters as a young teen, I didn't have the patience for the very gradual buildup, and I don't even remember most of the flick. It was a treat to finally re-watch, and see so many later stars like Chris Walken, Jeff Goldblum, and Beverly D'Angelo, not too mention old Hollywood faves like Burgess Meredith, Ava Gardner, and John Carradine. It's odd how the forces of God are shown to be just as creepy and evil looking as the forces of Satan, and how both are equally uncaring about what they do to innocent humans in order to maintain the cosmic stalemate at Hell's gate?? One thing confused me, tho - were the previous Sentinels murderers, which seemed to be indicated? If so, what did the poor new girl do to deserve the crappy Sentinel gig? It was her boyfriend who allegedly had someone murdered. Then again, the boyfriend also gets killed and zombie-fied, so perhaps the murderers get "sentenced" to hang around the gate, while some innocent is forced to commit suicide and man the gate itself. I'm also confused about why sentinels need to retire and be replaced - if they kill themselves first in order to work the gig, do they keep aging and "die" again anyway? The film suggested several sentinels had served over just a few generations ----- Anyway, lovable old Burgess Meredith was great in full creepy mode, and (very) old John Carradine was about as scary as I've ever seen! It was an unexpected treat to watch this again so many years later -
— September 10, 2009 8:21 p.m.

Star Trek

I'm not a big fan of the original series (Next Gen is much better), but there were some fun movie moments in the recast restart that caught the funny vibe of a lot of the 60s episodes. But the rest of the movie was indistinguishable from any number of mediocre sci-fi films, with nothing Trek-like about it, least of all the actors playing the original cast characters. Only the guy from Heroes playing Spock seems to grasp his predecessor's work (probably because Nimoy is in the movie too, and probably coached him on-set), other than a couple of quick moments from the guy now playing chief engineer Scotty (who should have had a larger role in the movie) – Funny about the guy who played Bones - he seemed more like the character as written in the better Trek novels than like his TV predecessor. Since the books tend to add a lot more character fine tuning than TOS, in a way the new guy is a better Bones than DeKelley - the new guy certainly brings a lot more instant- personality than De did when debuting on the air in Trek's Man Trap/salt vampire ep, one of George Clayton Johnson's poorer stories (tho he had very little info about the show when he wrote it). It took awhile for DeKelley to get into his full grumpy southern doc groove - It may seem silly, but I have a huge problem with Scotty being portrayed in the new movie as someone who would have used Captain Archer's pet beagle Porthos (from the Star Trek: Enterprise series) in a transporter experiment that resulted in Porthos being left in transporter limbo somewhere in space. Well, at least the same thing happens to Scotty himself in the original non-altered timeline, where Scotty rematerialized years later on Picard's ship. But I take great exception to the notion of him not only endangering (and losing) Archer's beloved (and famous) dog, needlessly (any living creature would have worked - or rather, NOT worked), but then Scotty seems to find this a funny tale to tell. I find this intolerable, matter how young and rash he may have been at the time ---- I've never thought much of most Trek fan fiction, but now I have an idea for a "Return of Porthos" story that would sure as Hell teach that alternate timeline Scotty an ass-biting lesson or three --- Shabby way to treat one of the few pets ever seen or referenced in the Trek universe(s), other than the Shelat Spock grew up with, Phlox's medicinal animals, Data's cat Spot (his Ode to Spot below) and, I guess, tribbles -----
— September 6, 2009 9:49 p.m.

Watchmen

Against all odds, the film did indeed capture a lot of the storytelling form and underlying heart pioneered so successfully by the original Watchmen comic creators. Which is not to say it was a perfect movie… For one thing, the music misfires. Frequently. Songs by the likes of Simon and Garfunkel and – gawd help us – Nena (“99 Luftballoons,” fer chrissakes), are far too fixed in our real world recollections to be anything but jarring in the Watchmen universe. Never mind that songs like Hendrix’s version of “All Along the Watchtower” are 10 or 15 years mistimed for the film’s setting in a wonky “alternate timeline” ‘80s. Yeah, yeah, Luftballoons is about nuclear war, one of the movie’s “big” themes, and Hendrix sings “Two riders were approaching” just as Owl Man and Rorschach are staggering thru the snow to Ozymandias’ arctic hideaway (having ridden there in the Owl Ship) – chuckle chuckle. Now get back to the movie ----- The characters all ring fairly true to their comic counterparts, and I think they’ll feel real to non-comic types too. Despite (and sometimes thanks-to) the often silly costuming (superheroes, by definition as much as design, dress funny). Great moviemaking transcends genre, and everything about Watchmen: The Movie is pretty great, from the performances to the costumes, the tech, the script, the minute set details, even Doc Manhattan’s otherworldly blue glow and his occasionally 50-foot penis – There’s a much bigger story being told in Watchmen than the end of superheroes, or even the end of the world ---- Bigger even than the various love stories that unfold (a couple of the movie’s other rare misfires happen during the “sex” scenes, even/especially when suddenly there are at least FIVE blue penises flopping around Doc Manhattan's very flustered young girlfriend). The big picture is the one of humanity itself. Watchmen holds up all the ugly, for all to see, side-by-side with all the love, the power, the piety, and all the other messy ingredients that make up mankind. Holds them up and presents them as one long unchanging, unending sequence ("sequential art" is a phrase commonly - perhaps wistfully - used to describe comics), ie one of those old “infinity cover” comics, where someone is holding a comic with a cover of them holding the comic, with a cover of them holding the comic, with a cover of them holding the comic, the same image repeated again and again, unto infinity, with no indication that one image is greater or less - or first or last - compared to the others. Watchmen: The Movie holds all of this up before us, (im)perfectly framed within the felt trim that surrounds the movie screen, with no one facet of mankind deemed greater, or lesser, or more or less important than any other. Each ingredient that makes us the malicious, miraculous, bug-fuggen crazy mofos we are, each is necessary, in equal measure, to what we were, are, and will ever be. For better or worse.
— September 6, 2009 9:45 p.m.

Stripped

Related articles on the Reader site: "Battle Of The Peeps" - feature article about running a San Diego strip club called Jolar, for the nation's second biggest pornographer, Harry Mohney (Deja Vu Showgirls founder). http://www.sandiegoreader.com/weblogs/bands/2008/… "Pussycat Theaters - When 'Cathouses Ruled California" -- for the first time, the detailed inside story of the west coast Pussycat Theater chain of adult moviehouses, which peaked in the '70s but later died out. Told by those who actually ran the theaters! http://www.sandiegoreader.com/weblogs/bands/2008/… "Stripper Poker" - local internet cafe with porn biz backing run by San Diego strip club owner specializes in online gambling - but is it legal? http://www.sandiegoreader.com/weblogs/bands/2009/…
— September 2, 2009 5:04 a.m.

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