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The Dark Knight clocks in

The best post of the day was regarding the "can't turn my head". Awesome. I would add to that, how useful the motorcycle would actually be, built and designed the way it was. Sure, it looked cool. But the LA Times did a detailed story, written by a mechanic, on why it wouldn't work well. Talk about nitpicking apart a film! The problem with a lot of critics, is the thing people pointed out about Duncan. They often want to ref. old classic films, that often don't relate to anything. If you are reviewing this new French film (can't think of the title, something generic like "Tell No One"...and it's similar to something like Frantic or The Fugitive, or Memento, fine). But so many times, these intellectuals, want to start going off on Fellini and David O Selznick and Preston Sturgess....and it's not necessary (and probably not even accurate). And, for a critic to not like a "genre" of film, I just don't buy that. I don't like musicals. But I liked Grease. I liked Chicago. I don't like westerns. I liked 3:10 to Yuma. I liked Unforgiven. Just bought the DVD of Man Who Shot Liberty Valence. Because, a great film is a great film. If you say you don't like westerns, and therefore there isn't a single western you don't like, then you can't possibly be a good film critic. And, I'll use another critic as an example. Duncan spoke glowingly of the former U-T critic David Elliot. This guy, was perhaps, the worst film critic of all-time. He's the only critic in the country that gave one star to Forest Gump. A movie that everyone liked, he hated. A movie that everyone hated, he liked. To me, when that's the case, you have a problem. Duncan seems to be tough on the films he likes, but my only problem is that once in a while I'll read a review, and am not sure what he's even talking about. It's one of the reasons the format for Siskel & Ebert (or whatever it's called now), worked so well. Two people dissecting a film works so much better then getting one persons opinion.
— July 29, 2008 11:44 p.m.

Comic Con II - The Wrath of Tori Amos' People

To anti: give Tori another chance. Some songs are depressing. Some songs are magical. She has so many great pieces of music. What a wonderful talent she is. And, she's probably the only artist around that when she covers someone elses songs (Led Zeppelin, Nirvana, Rolling Stones, to name a few), she actually does them better than the originals! To Christy: I'm so glad you got to talk to her. I'm sorry to hear about your assault. Tori is so wonderful about that. At a concert at Copley, I heard that she talked with people before the show (she does a VIP thing, but she'll meet with fans that don't pay for the VIP thing as well). She talks to each one of them. And, I overheard these two women talking about how she was so sweet, and they just babbled on not making sense. And, since I write a column for Autograph Magazine, I often interview big name musicians, that tell me how they don't care for dealing with fans for so many reasons (they don't have anything to say, they want to talk for hours, they want 20 pictures, or 20 autographs, or to bug them at a restaurant, etc). I've talked to so many people that have met Tori, that tell me she spends the time to listen to them. She holds their hand. She thanks them for buying her music. This is a really special woman, to take the time to do that. On a side note: Christy, you aren't from Orange County, or somewhere in that area, are you? I was talking to someone in line to buy the book who had red hair and was from that area. She also mentioned crying when she met Tori on a previous occasion.
— July 29, 2008 11:27 p.m.

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