When I saw Ridley Scott’s film Prometheus, I was reminded that our best filmmakers are now nearly sole proprietors of the visionary mood. Scott’s movie, with its spectral holographic conjurings of mythic ancestors spiraling through ...
Car Show (2001), by John Valadez, whose imagery possesses more moral curiosity than moral rage, and his style has a visceral, romantic, pumped, and flung energy.
Posted August 14, 2012
Stories this photo appears in:
The Racial Memory of John Valadez