San Diego Theater Reviews
Lamb’s Players’ Fiddler on the Roof is one of the best shows they’ve ever done. Ever. The title comes from a wall painting Marc Chagall did for the Moscow State Yiddish Theatre in 1920. He …
She flits about like a sand flea, never in one place, or one state of mind, for long.
"Families are terrorized by their weakest member,” says a character in Jon Robin Baitz’s Other Desert Cities. The line’s got that yowza zing to it, as if a fire-spewing profundity. But give it some thought …
The good news about the Rep’s Federal Jazz Project: music lovers unfamiliar with the name Gilbert Castellanos are in for a surprise, maybe even an epiphany. The San Diegan’s a world-class trumpet player who can …
I don’t mean to reduce Ibsen’s drama, but in some ways you could subtitle A Doll’s House “Behind the Scenes with Ken and Barbie.” Torvald and Nora Telmer live in such a profoundly rigid society …
You see a great number in a musical and stop the show with rabid applause. But how many times have you really wanted the show to stop — and have them repeat the number on …
I make it a hard and fast rule when entering a theater: leave expectations at the door. Even if I know the play or the subject, I want as clean a slate as possible. Be …
San Diego Musical Theatre’s knock-out production of Bob Fosse’s Chicago must close Sunday, March 3. If you like your entertainment steamy, decadent — and all that jazz — then sprint, don’t just run, to the …
“What good is freedom if you can’t do nothing with it?”
They are three African-American males at San Pere, Louisiana, near the Bayou. Ogun Henri Size, a mechanic, prides himself for being a responsible adult. Free-spirited younger brother Oshoosi’s back from two years in prison. Now …
What a treat! George Bernard Shaw’s back at the Old Globe — finally! — with first-class direction, performances, and design work. Even a balky turntable on opening night couldn’t tarnish the luster. For the past …
THE YEAR IN REVIEW. The world’s most anticipated drama — its end — came and didn’t. Advocates of the apocalypse are probably scrambling for a new Day of Doom so they won’t have to face …
Jane Austen’s characters read each other like novels. They inspect qualities, every human chapter and verse, and sum them up in lists of checks and balances. In Persuasion, Austen writes, “Her manners were open, easy, …
“It’s almost like the disease has to win in order for her soul to survive. Or something like that.”
Ira Aldridge Players' The Gospel at Colonus; The Sugar Witch at OnStage.