The 2025 San Diego Mainly Mozart Festival promises an exhilarating celebration of classical music, bringing together world-renowned musicians, innovative performances, and a rich array of events that cater to both seasoned aficionados and newcomers to the classical music scene. Known for its distinctive emphasis on the works of Wolfgang Amadeus Mozart, the festival also seeks to explore the breadth and impact of his influence across different genres and time periods of classical music.
The heart of the festival is the Mainly Mozart Festival Orchestra. It is assembled every June from orchestras across North America. The best of the best come together to create the highest quality performances imaginable.
The 2025 Festival opens on Wednesday, June 18, at The Conrad Prebys Performing Arts Center, which is also known as The Conrad. The concert includes Mozart’s Serenade in C, Antonio Vivaldi’s The Four Seasons, and Astor Piazzolla’s The Four Seasons of Buenos Aires. All together, that makes eight seasons; the violin solo for each of them will be played by a different concertmaster from the festival orchestra roster. (If you didn’t know, the entire violin section at Mainly Mozart is filled with concertmasters from North America’s greatest orchestras.) San Diego’s own Jeff Thayer will be amongst the soloists for this performance.
On Friday, June 20, at The Conrad, we get Mozart’s Serenade No. 6 in D Major, Richard Strauss’s Duet Concertino for Clarinet and Bassoon, and Ludwig van Beethoven’s Symphony No. 2. As is usually the case, the serenade shows off all of Mozart’s charm and wit. The Strauss piece is lyrical and introspective. The Beethoven symphony is going to be absolutely electric within the intimate confines of the Conrad’s Baker-Baum concert hall.
The venue changes to the UC San Diego Epstein Family Amphitheater on Saturday, June 21. But the programming remains exceptional: the concert opens with one of my all-time favorite pieces of music, Edward Elgar’s Introduction and Allegro for Strings.
This is followed by Mozart’s evergreen Symphony No. 40, and then Camille Saint-Saëns’ Piano Concerto No. 2. Pianist Joyce Yang will be performing the solo for the Saint-Saëns.
The festival moves back to The Conrad on Tuesday, June 24, for a concert entitled “Baroque Brilliance”. Despite the title, not all the pieces on the concert are Baroque. The concert starts with Igor Stravinsky’s neo-classical Concerto in E-flat) and then goes full Baroque with J. S. Bach’s Brandenburg Concertos Nos. 2 & 5.
The concert concludes with Mozart’s Symphony No. 35 “Haffner." Like the Beethoven Symphony No. 2, the Haffner Symphony is going to be spectacular in the space.
The final concert at The Conrad is Thursday, June 26. Mozart’s Overture to The Abduction from the Seraglio is the opening piece and is followed by A Klezmer Concerto by Noah Bendix-Balgley.
Capping off the evening is Felix Mendelssohn’s Symphony No. 5. This is yet another substantial symphonic work presented in the intimate space of The Conrad.
The festival concludes back at the UC San Diego Epstein Family Amphitheater on Saturday, June 28. Mozart’s Overture to Cosi fan Tutte begins the evening, and then Beethoven’s Triple Concerto and Symphony No. 7 finish things off.
All concerts will be conducted by Mainly Mozart Music Director Michael Francis
The 2025 San Diego Mainly Mozart Festival promises an exhilarating celebration of classical music, bringing together world-renowned musicians, innovative performances, and a rich array of events that cater to both seasoned aficionados and newcomers to the classical music scene. Known for its distinctive emphasis on the works of Wolfgang Amadeus Mozart, the festival also seeks to explore the breadth and impact of his influence across different genres and time periods of classical music.
The heart of the festival is the Mainly Mozart Festival Orchestra. It is assembled every June from orchestras across North America. The best of the best come together to create the highest quality performances imaginable.
The 2025 Festival opens on Wednesday, June 18, at The Conrad Prebys Performing Arts Center, which is also known as The Conrad. The concert includes Mozart’s Serenade in C, Antonio Vivaldi’s The Four Seasons, and Astor Piazzolla’s The Four Seasons of Buenos Aires. All together, that makes eight seasons; the violin solo for each of them will be played by a different concertmaster from the festival orchestra roster. (If you didn’t know, the entire violin section at Mainly Mozart is filled with concertmasters from North America’s greatest orchestras.) San Diego’s own Jeff Thayer will be amongst the soloists for this performance.
On Friday, June 20, at The Conrad, we get Mozart’s Serenade No. 6 in D Major, Richard Strauss’s Duet Concertino for Clarinet and Bassoon, and Ludwig van Beethoven’s Symphony No. 2. As is usually the case, the serenade shows off all of Mozart’s charm and wit. The Strauss piece is lyrical and introspective. The Beethoven symphony is going to be absolutely electric within the intimate confines of the Conrad’s Baker-Baum concert hall.
The venue changes to the UC San Diego Epstein Family Amphitheater on Saturday, June 21. But the programming remains exceptional: the concert opens with one of my all-time favorite pieces of music, Edward Elgar’s Introduction and Allegro for Strings.
This is followed by Mozart’s evergreen Symphony No. 40, and then Camille Saint-Saëns’ Piano Concerto No. 2. Pianist Joyce Yang will be performing the solo for the Saint-Saëns.
The festival moves back to The Conrad on Tuesday, June 24, for a concert entitled “Baroque Brilliance”. Despite the title, not all the pieces on the concert are Baroque. The concert starts with Igor Stravinsky’s neo-classical Concerto in E-flat) and then goes full Baroque with J. S. Bach’s Brandenburg Concertos Nos. 2 & 5.
The concert concludes with Mozart’s Symphony No. 35 “Haffner." Like the Beethoven Symphony No. 2, the Haffner Symphony is going to be spectacular in the space.
The final concert at The Conrad is Thursday, June 26. Mozart’s Overture to The Abduction from the Seraglio is the opening piece and is followed by A Klezmer Concerto by Noah Bendix-Balgley.
Capping off the evening is Felix Mendelssohn’s Symphony No. 5. This is yet another substantial symphonic work presented in the intimate space of The Conrad.
The festival concludes back at the UC San Diego Epstein Family Amphitheater on Saturday, June 28. Mozart’s Overture to Cosi fan Tutte begins the evening, and then Beethoven’s Triple Concerto and Symphony No. 7 finish things off.
All concerts will be conducted by Mainly Mozart Music Director Michael Francis