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San Diego punk bands close up

Obsessed with the Titanic, Normal Heights from those who know, Escondido teacher gives strychnine to daughter, Baja anatomy professor gives lessons at morgue

Rocket From the Crypt (John Reis, center; Pete Reichert, third from right), 1996. Originally Rocket swore it would play only backyard parties.
Rocket From the Crypt (John Reis, center; Pete Reichert, third from right), 1996. Originally Rocket swore it would play only backyard parties.


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  • Real hardcore true punk

  • The roots of the San Diego music scene run deep. Musicians who began gigging around town in the mid- to late 1980s later became the bedrock of the diverse early ’90s scene, which included bands like Rocket From the Crypt, Drive Like Jehu, Inch, and Three Mile Pilot. The musicians of this generation emerged from a rough punk and hardcore climate to form more melodic, lyrically based bands that caught the attention of major labels when the frenzied buzz of grunge broke in Seattle.
  • By Daniel Ridge, Oct. 17, 2002

  • Sinking of the Tudor flagship Mary Rose in 1545


  • He's sad for ships

  • DeRosset doesn’t speak abstractly about his work. He’s a storyteller. “What’s really nice,” he told me before I’d had a chance to see the painting at the church, “is that I’ve got the crew of the smack waving to the crew on the deck of the Titanic. The fishermen are cold, wet, and miserable. It could have been either a good trip or a bad trip for them.
  • By Jeanne Schinto, Dec. 19, 2002
  • Erlene Thom: “South of Adams, the neighborhood really started to change in the late 1950s and early 1960s, when they started tearing down the single-family homes and putting up apartments."

  • North of Adams was like what south of Adams is now.

  • “I’d lie awake at night and think, ‘I am in hell.’ I’d get up in the morning and think, ‘I am in hell.’ At one point we had heavy trucks making 200 to 300 trips down our street. “The entire house shook. My teeth rattled. The vibration was damaging the foundations of our homes. Dust was everywhere. You couldn’t open your windows. Very quickly I felt a kind of panic. Terror. I’d sunk my life savings into buying this tiny house."
  • By Abe Opincar, Nov. 27, 2002
  • Judy’s stone, which says simply “Judy Huscher, 1945–1957,” sits between Hank Decking and an oleander tree, whose long, poisonous leaves make flickering shadows on her name.
  • The death of Judy Huscher

  • The body lies in a position of repose, a 12-year-old girl in pajamas, on her bed, in Fallbrook, California. Her blue eyes, though open, see nothing, and for ten more minutes, no one sees her. No one knows yet that the sheets and Judy’s pajama top are stained with chocolate, that her neck is stained with chocolate, that a section of yellow toilet paper on the bed beside her is stained with chocolate.
  • By Laura McNeal, Nov. 7, 2002
  • "I apologize to the people whose bodies we use."

  • Grateful to the dead

  • “And at the end of the dissection, I will show you why dissection is important. I will show you the precise points you will need to inject in order to anesthetize either the right or left front corner of the mouth. You’re going to see exactly where these points are, between the first and second bicuspid. When you work with patients, you won’t be able to see these points beneath the tissue."
  • By Abe Opincar, Oct. 31, 2002

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Rocket From the Crypt (John Reis, center; Pete Reichert, third from right), 1996. Originally Rocket swore it would play only backyard parties.
Rocket From the Crypt (John Reis, center; Pete Reichert, third from right), 1996. Originally Rocket swore it would play only backyard parties.


Sponsored
Sponsored
  • Real hardcore true punk

  • The roots of the San Diego music scene run deep. Musicians who began gigging around town in the mid- to late 1980s later became the bedrock of the diverse early ’90s scene, which included bands like Rocket From the Crypt, Drive Like Jehu, Inch, and Three Mile Pilot. The musicians of this generation emerged from a rough punk and hardcore climate to form more melodic, lyrically based bands that caught the attention of major labels when the frenzied buzz of grunge broke in Seattle.
  • By Daniel Ridge, Oct. 17, 2002

  • Sinking of the Tudor flagship Mary Rose in 1545


  • He's sad for ships

  • DeRosset doesn’t speak abstractly about his work. He’s a storyteller. “What’s really nice,” he told me before I’d had a chance to see the painting at the church, “is that I’ve got the crew of the smack waving to the crew on the deck of the Titanic. The fishermen are cold, wet, and miserable. It could have been either a good trip or a bad trip for them.
  • By Jeanne Schinto, Dec. 19, 2002
  • Erlene Thom: “South of Adams, the neighborhood really started to change in the late 1950s and early 1960s, when they started tearing down the single-family homes and putting up apartments."

  • North of Adams was like what south of Adams is now.

  • “I’d lie awake at night and think, ‘I am in hell.’ I’d get up in the morning and think, ‘I am in hell.’ At one point we had heavy trucks making 200 to 300 trips down our street. “The entire house shook. My teeth rattled. The vibration was damaging the foundations of our homes. Dust was everywhere. You couldn’t open your windows. Very quickly I felt a kind of panic. Terror. I’d sunk my life savings into buying this tiny house."
  • By Abe Opincar, Nov. 27, 2002
  • Judy’s stone, which says simply “Judy Huscher, 1945–1957,” sits between Hank Decking and an oleander tree, whose long, poisonous leaves make flickering shadows on her name.
  • The death of Judy Huscher

  • The body lies in a position of repose, a 12-year-old girl in pajamas, on her bed, in Fallbrook, California. Her blue eyes, though open, see nothing, and for ten more minutes, no one sees her. No one knows yet that the sheets and Judy’s pajama top are stained with chocolate, that her neck is stained with chocolate, that a section of yellow toilet paper on the bed beside her is stained with chocolate.
  • By Laura McNeal, Nov. 7, 2002
  • "I apologize to the people whose bodies we use."

  • Grateful to the dead

  • “And at the end of the dissection, I will show you why dissection is important. I will show you the precise points you will need to inject in order to anesthetize either the right or left front corner of the mouth. You’re going to see exactly where these points are, between the first and second bicuspid. When you work with patients, you won’t be able to see these points beneath the tissue."
  • By Abe Opincar, Oct. 31, 2002

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