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Derek Walcott: poem and prayer

Celebrating life in all its natural a supernatural fullness

  • Pentecost
  • Better a jungle in the head
  • than rootless concrete.
  • Better to stand bewildered
  • by the fireflies’ crooked street;
  • winter lamps do not show
  • where the sidewalk is lost,
  • nor can these tongues of snow
  • speak for the Holy Ghost;
  • the self-increasing silence 
  • of words dropped from a roof
  • points along iron railings,
  • direction, in not proof.
  • But best is this night surf
  • with slow scriptures of sand,
  • that sends, not quite a seraph,
  • but a late cormorant,
  • whose fading cry propels
  • through phosphorescent shoal
  • what, in my childhood gospels,
  • used to be called the Soul.
  • Love After Love
  • The time will come 
  • when, with elation 
  • you will greet yourself arriving 
  • at your own door, in your own mirror 
  • and each will smile at the other’s welcome, 
  • and say, sit here. Eat. 
  • You will love again the stranger who was your self.
  • Give wine. Give bread. Give back your heart 
  • to itself, to the stranger who has loved you 
  • all your life, whom you ignored 
  • for another, who knows you by heart. 
  • Take down the love letters from the bookshelf, 
  • the photographs, the desperate notes, 
  • peel your own image from the mirror. 
  • Sit. Feast on your life.
  • Coral
  • This coral’s shape echoes the hand
  • It hollowed. Its
  • Immediate absence is heavy. As pumice,
  • As your breast in my cupped palm.
  • Sea-cold, its nipple rasps like sand,
  • Its pores, like yours, shone with salt sweat.
  • Bodies in absence displace their weight,
  • And your smooth body, like none other,
  • Creates an exact absence like this stone
  • Set on a table with a whitening rack
  • Of souvenirs. It dares my hand
  • To claim what lovers’ hands have never known:
  • The nature of the body of another
Derek Walcott

Derek Walcott (1930-2017) was a poet from St. Lucia who won the Nobel Prize in Literature in 1992. His work, colored with his native Caribbean island and infused with a Christian spirituality. “I have never separated the writing of poetry from prayer,” he once wrote. “I have grown up believing it is a vocation, a religious vocation.” The themes in his poetry run the gamut from love to elegy, celebrating life in all its natural a supernatural fullness. Walcott’s poems are marked by a precise and elaborate use of metaphor and other figures of speech.

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  • Pentecost
  • Better a jungle in the head
  • than rootless concrete.
  • Better to stand bewildered
  • by the fireflies’ crooked street;
  • winter lamps do not show
  • where the sidewalk is lost,
  • nor can these tongues of snow
  • speak for the Holy Ghost;
  • the self-increasing silence 
  • of words dropped from a roof
  • points along iron railings,
  • direction, in not proof.
  • But best is this night surf
  • with slow scriptures of sand,
  • that sends, not quite a seraph,
  • but a late cormorant,
  • whose fading cry propels
  • through phosphorescent shoal
  • what, in my childhood gospels,
  • used to be called the Soul.
  • Love After Love
  • The time will come 
  • when, with elation 
  • you will greet yourself arriving 
  • at your own door, in your own mirror 
  • and each will smile at the other’s welcome, 
  • and say, sit here. Eat. 
  • You will love again the stranger who was your self.
  • Give wine. Give bread. Give back your heart 
  • to itself, to the stranger who has loved you 
  • all your life, whom you ignored 
  • for another, who knows you by heart. 
  • Take down the love letters from the bookshelf, 
  • the photographs, the desperate notes, 
  • peel your own image from the mirror. 
  • Sit. Feast on your life.
  • Coral
  • This coral’s shape echoes the hand
  • It hollowed. Its
  • Immediate absence is heavy. As pumice,
  • As your breast in my cupped palm.
  • Sea-cold, its nipple rasps like sand,
  • Its pores, like yours, shone with salt sweat.
  • Bodies in absence displace their weight,
  • And your smooth body, like none other,
  • Creates an exact absence like this stone
  • Set on a table with a whitening rack
  • Of souvenirs. It dares my hand
  • To claim what lovers’ hands have never known:
  • The nature of the body of another
Derek Walcott

Derek Walcott (1930-2017) was a poet from St. Lucia who won the Nobel Prize in Literature in 1992. His work, colored with his native Caribbean island and infused with a Christian spirituality. “I have never separated the writing of poetry from prayer,” he once wrote. “I have grown up believing it is a vocation, a religious vocation.” The themes in his poetry run the gamut from love to elegy, celebrating life in all its natural a supernatural fullness. Walcott’s poems are marked by a precise and elaborate use of metaphor and other figures of speech.

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