One of the less frequently mentioned (or seen) of Hitchcock's early British thrillers -- maybe just because the title contains less of a tingle. The rest of it contains as many tingles as any. The basic circumstance of a manhunt for an innocent man, himself hunting for the guilty man, is certainly idiomatic; there's good use of the British countryside as a hide-and-seek setting (echoes of The 39 Steps); and the plotline, from a Josephine Tey novel, has more than its share of ingenuities. Derrick de Marney, Nova Pilbeam, Basil Radford. (1937) — Duncan Shepherd
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