Flowery romanticism in seedy Shanghai. Two identical girls, two intertwined storylines, one of them viewed through the eyes and lenses of an unseen "videographer" (vaguely reminiscent of Robert Montgomery's experiment in subjective P.O.V., Lady in the Lake). In either storyline, the unsteady camera dictates the mood -- one of nervousness and irritation. Directed by Lou Ye. (2000) — Sgt. Tiki
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