More than one rendezvous, in fact, photographed in Eric Rohmer's shoddiest manner, and enacted by a typically Rohmerian cast of slim young unknowns. The three separate episodes -- "Seven O'Clock Rendezvous," "The Benches of Paris," "Mother and Child 1907" -- ensure that the film will be less interminably but more frequently boring than usual. (1995) — Duncan Shepherd
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