A sunny, smiling, photogenic Gypsy boy afoot on the French Riviera. Tony Gatlif, the maker of Latcho Drom, applies a solid documentary technique (no, not in the tradition of Mondo Cane, Mondo Bizarro, Mondo Freudo: Mondo is the boy's name), a roving impressionistic eye for a place and its inhabitants. But the fictional component is fragmentary, stagnant, sentimental. With Ovidiu Balan. (1996) — Duncan Shepherd
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