Typical Henry Jaglom gabfest, fragmentary, improvisatory, self-conscious, mostly vacuous. The setting this time is the country retreat of a three-generational theatrical family, where the whole clan and acolytes (including a Hollywood luminary played without much illumination by Jaglom's wife, Victoria Foyt) have gathered for a final bash before the estate is put up for sale. The gab, in consequence, is a little more irritating than usual. (Several heavy hints point us in the direction of Chekhov, but few of us will be willing to obey.) By chance rather than by design, the movie turned out to be a valediction for Viveca Lindfors, who died suddenly before its release -- and the couple of clips from her early Hollywood career make a nice remembrance. With Jon Robin Baitz, Andre Gregory, Brooke Smith, Martha Plimpton, Roddy McDowall. (1995) — Duncan Shepherd
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