No one could accuse Robert Montgomery of having no definite idea how to direct a movie in this, his first time at the helm. As ideas go, though, this experiment in subjective camerawork (the entire movie is seen through the eyes of private detective Philip Marlowe, who comes off seeming a very stiff-necked fellow) is sheer folly. Based on a Raymond Chandler novel; with Audrey Totter, Lloyd Nolan. (1947) — Duncan Shepherd
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