Not the earlier version of Warren Beatty's film of this title (that was Here Comes Mr. Jordan), but rather a sentimental stage comedy out of Central Europe, transplanted to Technicolor Hollywood by Ernst Lubitsch. And very comfortably and prettily so. It concerns a deceased roué who demands admission at the gates of Hell — and what's revealed of the hero's offenses doesn't do much to support his case. But then, in the discreet world of Ernst Lubitsch, it needn't. Don Ameche, Gene Tierney, Charles Coburn, Laird Cregar. (1943) — Duncan Shepherd
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