Not as good a movie as Mamoulian's Blood and Sand or Parrish's Fire Down Below (nice pun), this sinful South American melodrama nonetheless offers the definitive image of Rita Hayworth as man-trap. Intoxicating tropical-kitsch decor; moody photography by Rudolph Maté. With Glenn Ford; directed by Charles Vidor. (1946) — Duncan Shepherd
This movie is not currently in theaters.