Juvenile game of Good vs. Evil (as Milton Bradley might put it: Ages 6 to 10), set in a Medieval fantasyland populated by mages and commoners, a sulky teenage empress, a giant red-bearded "dwarf," a full-grown pointy-eared "elf," a British-accented mock-Shakespearean bad guy (Jeremy Irons, destroying any last shred of …
Based on a role-playing game that people used to openly mock, a thief and a band of unlikely adventurers undertake a heist to retrieve a lost relic. However, the Dungeon decrees that things must go dangerously awry when they run afoul of the wrong people. Directed by Jonathan Goldstein and …
Based on a role-playing game that people used to openly mock, a thief and a band of unlikely adventurers undertake a heist to retrieve a lost relic. However, the Dungeon decrees that things must go dangerously awry when they run afoul of the wrong people. Directed by Jonathan Goldstein and …
Based on a role-playing game that people used to openly mock, a thief and a band of unlikely adventurers undertake a heist to retrieve a lost relic. However, the Dungeon decrees that things must go dangerously awry when they run afoul of the wrong people. Directed by Jonathan Goldstein and …
Based on a role-playing game that people used to openly mock, a thief and a band of unlikely adventurers undertake a heist to retrieve a lost relic. However, the Dungeon decrees that things must go dangerously awry when they run afoul of the wrong people. Directed by Jonathan Goldstein and …
The Acquisitions, Inc. gang plays D&D in front of a gaming convention audience, and you get to watch!
A happy match of style and subject: Christopher Nolan’s genius for treating movies like chess matches — the careful, methodical combination and orchestration of events and characters to produce an inescapable conclusion — is brilliantly employed in this account of the British (and French) attempt to retreat across the English …
A happy match of style and subject: Christopher Nolan’s genius for treating movies like chess matches — the careful, methodical combination and orchestration of events and characters to produce an inescapable conclusion — is brilliantly employed in this account of the British (and French) attempt to retreat across the English …
Garden-variety orangutan comedy (ee-ee-oo-oo) about a simian cat burglar on the run from his human confederate (Rupert Everett with a Terry-Thomas tooth-gap) in a five-star Manhattan hotel. Many felicitous directing touches, courtesy of Ken Kwapis (Vibes and He Said, She Said). Essentially, though, and inescapably kids' stuff. With Jason Alexander, …
By increasingly foul means, a yuppie couple attempt to root out their upstairs Neighbor-from-Hell, a wizened Irishwoman with a deceptive grandmotherly twinkle. Director Danny DeVito has been toiling too long in the same black-comic mine (Throw Momma from the Train, The War of the Roses, Matilda, Death to Smoochy), and …
Entertaining enough game of industrial espionage, kicked off, behind the credits, with a slapstick soundless slo-mo fight on the tarmac between the ungainly Paul Giamatti and Tom Wilkinson. The repeated doubling-back in time proves to be more exasperating than clever, but writer-director Tony Gilroy, going light after Michael Clayton, hasn’t …
Duran Duran’s live show becomes immortalized on the big screen in the feature-length docu-concert film featuring new interviews, behind-the-scenes video, and unseen archival footage celebrating the band's four-decade-long career.
Duran Duran: Unstaged is the first feature David Lynch has signed since in 2006.