From Richard Eyre (Notes on a Scandal) comes this adaptation of novel about an unhappily married judge deciding a case involving a teenage boy who is refusing a blood transfusion on religious principle.
Better you should take a closer look at your investment portfolio than this. Depending on your affinity for the subject of investment scams, this will either register as bank porn or something akin to Chinese water torture. One day later, and my hair has yet to dry. The slick, hermetically …
The story is so simple, so glaringly obvious and filled with delight, that it’s a wonder no one thought of it until this day: a pair of siblings surreptitiously hop aboard Santa’s sleigh for the ride of a lifetime. Movie over Edmund “Miracle on 34th St.” Gwenn, there’s a new …
After decades of dormancy — and wanting very much to reunite with his childhood pal — Winnie the Pooh finally figures out behind which tree door stands his all-grown-up childhood pal, Christopher Robin (Ewan McGregor, proving that he has what it takes to be live-action Disney’s newest alternative to Dean …
Your chance to see a YouTube Red Original in a theatre.
Erik Nelson takes 16mm outtakes from William Wyler's 1943 war documentary, The Memphis Belle and filters the footage through the spoken recollections of nine veterans, among the last survivors of the War in Europe.
Dustin Hoffman said it in Stranger than Fiction: if you’re in a tragedy, you die; if you’re in a comedy, you get married. Viewers will have to decide for themselves exactly what sort of story they are getting from director and co-writer Pawel Pawlikowski’s handsome, gorgeous, heartbreaking, heart-thumping romance. Handsome: …
Once again, Wash Westmoreland and Richard Glatzer, the writing/directing team that brought us The Last of Robin Hood, find delight in giving audiences a biographical glimpse into the lives of a publicly scandalous pair — in this case, ghostwriter, androgynous fashion plate, and all-around feminist icon Colette (Keira Knightley) and …
The opening may have you wondering if you’ve walked into the wrong theater as it presents the same household morning scenario again and again with minimal variation: is this some kind of arty drama about the perils of middle-class existence? Nah, it’s just director Jaume Collet-Serra playing around with a …