Harry Partch, Gustavo Romero, Diamanda Galas, Pacific Strings, inside the opera, best organs, best pianos, the composer, the concertmaster, the piano tuner, the tenor, the symphony player’s wife
Various Authors 6:22 p.m., Sept. 24
Genre: Noise | Xprmntl
Sound description: Dirges of death, the soundtrack of suicide, or simply the sound of bees living in your head.
RIYL: Laurie Anderson, John Zorn, the Kronos Quartet, Bjork
Influences: German expressionist theater, the Marquis de Sade, Friedrich Nietzsche, Baudelaire, Laurie Anderson, Nina Hagen, Yoko Ono, Patti Smith, Pat Benetar, Ralph Stanley, John Cage, Edith Piaf, O.V. Wright, Timi Yuro, Captain Beefheart, Frank Zappa
Vocalist, pianist, composer, and poet Diamanda Galás has a three-octave range, which she applies to experimental compositions that vary from goth to electronica to opera and into territories hitherto only charted by the out-there composers like Frank Zappa and Laurie Anderson. Her dark, dramatic looks and occult themes in albums like her 1982 debut Litanies of Satan have caused some to accuse her of satanism.
Galás came to international attention for her late '80s three-part "plague mass" concerning the AIDS epidemic as -- in her view -- referenced in the Bible, in particular Psalms and Leviticus. After Galás performed the first installment of her mass, The Masque of the Red Death, in Italy, the Italian government denounced her as a heretic.
Galás has also been involved in AIDS awareness campaigns, activism, and support groups, having lost a brother and close friend to the epidemic. Her songs have been heard in movie soundtracks such as Bram Stoker's Dracula and Natural Born Killers.
Her album Gulity! Guilty! Guilty! was released in 2008. She returned to San Diego in January 2011, to speak at UCSD’s Sonic Diasporas Alumni Festival.
In 2017, Galás released an album of traditional and jazz standards, All the Way, as well as a live album, At Saint Thomas the Apostle Harlem.