Harry Partch, Gustavo Romero, Diamanda Galas, Pacific Strings, inside the opera, best organs, best pianos, the composer, the concertmaster, the piano tuner, the tenor, the symphony player’s wife
Various Authors 6:22 p.m., Sept. 24
Sound description: A one-man music festival, who’ll pull an old barrelhouse boogie-woogie stride piano jam out of one sleeve, a psychedelic pop gem, or New Orleans funk groove out of the other.
RIYL: Miles Davis, Leon Russell, Jim Croce, Allen Toussaint, John Lurie, Leonard Cohen
Influences: Jim Croce, Leon Russell, Billy Preston, Harry Chapin, Miles Davis, Frank Zappa, Little Richard, Ray Charles, Allen Toussaint, Fats Waller, Bessie Smith, Pink Anderson
When A.J. Croce was a week past his second birthday, his father, singer-songwriter Jim Croce, died in a September 1973 plane crash. A few years after A.J. and his mother Ingrid arrived in San Diego, he developed a brain tumor that cost him his eyesight. This was the beginning of what would become a success story for this nearly native San Diegan.
By his early teens, A.J. Croce had regained most of the vision in his left eye, a blessing he found difficult to ascribe to divine intervention. “I went to a Hebrew school for junior high. I followed that with a bar mitzvah and followed that with 25 years of questioning faith and answering questions with questions. How am I doing?”
Even before his vision improved, he had become an accomplished piano player and songsmith. Supporting his musical endeavors was his mom, who’d sung on early records with her late husband and whose Croce’s nightclub was an early linchpin in downtown’s unlikely transition from shore-leave sailors to Gaslamp glitterati.
Since his self-titled debut in 1993, Croce has worked with T. Bone Burnett, Jim Keltner, and Ry Cooder, among others. Among his influences, “I saw Ray Charles when I was opening the shows at Wolftrap and Ravinia [festivals], and it blew me away that he could play so slow and was so relaxed and perfect in his way.”
Each of Croce’s CDs has hit the radio charts in a different genre. His debut, A.J. Croce, entered the top ten U.S. jazz chart in 1993. The followup, That’s Me in the Bar, landed again in the top ten in 1995, but this time in the Americana and blues chart.
Subsequently, 1998’s Fit to Serve placed again on the blues chart, but also on the AAA chart, and 2000’s Transit garnered a spot again on AAA and also on the American college radio chart. His 2006 single “Don’t Let Me Down,” from his CD Adrian James Croce, is the only song by an artist on an independent label to hit the U.S. Top 40 charts in 2006.
“I’m pretty eclectic. I’ve been filed in five or six different genres in stores and on the radio, so it may be easiest to describe my music as Ray Charles meets Ray Davies, or Elvis Presley meets Elvis Costello, or John Hurt meets John Lennon, or maybe Randy Newman meets Jim Croce, which was my first concert.”
Croce’s 2009 album, Cage of Muses, features Pete Thomas and Davey Faragher (the Attractions/the Impostors/Jack Shit). Croce’s first three albums, That’s Me in the Bar, A.J. Croce, and Fit to Serve are available for download.
As of 2011, Croce was playing organ with local rockers the Amandas, as well as maintaining his solo stage act. In Autumn 2011, he toured Europe with Gregory Page. A 2012 release, Further On, collects his last three Americana albums: Early On: The American Recordings 1993-1998, Cantos, and Cage of Muses.
In 2013, Croce announced that his upcoming full-length Twelve Tales, partially produced by Allen Toussaint, would include guest songwriter and player Leon Russell. Singles for “Judgment Day” and “Momentary Lapse of Judgment” were made available online.
Sessions for Twelve Tales took place in Los Angeles with Tony Berg (Fiona Apple, Bob Dylan) and Mitchell Froom (Crowded House, Los Lobos); in Nashville with the late “Cowboy” Jack Clement (Elvis Presley, Johnny Cash); in Stamford, CT, with five-time GRAMMY-winner Kevin Killen (Elvis Costello, Peter Gabriel); in New Orleans with Allen Toussaint (Dr. John Paul McCartney); and with Greg Cohen (Tom Waits, John Zorn) in New York City.
Says Croce, “Each producer brings a new unique dimension, and traveling around the US to record with all these talented players is a real treat. This project is like a musical jigsaw puzzle without a box.”
In Autumn 2013, Croce signed to Compass Records, who announced plans to release his album Twelve Tales. A 20th anniversary reissue of his album That's Me in the Bar was released by Compass Records in summer 2015, with an added bonus track.
2017 found Croce performing a series of concert featuring his father's music alongside his own, calling the production “Croce: Two Generations of American Music.” The concerts featured a band that included his longtime guitarist Michael Bizar along with Dr. John alum David Barard on bass, and alternating drummers with Nashville-based session ace Tony Morra and Gary Mallaber (Van Morrison, Steve Miller).
Around the same time, he began collaborating on his Croce’s ninth studio album with producer/songsmith Dan Penn on an album featuring guests like Muscle Shoals bassist David Hood, blues guitarist Colin Linden, Vince Gill, Steve Cropper, and gospel singers the McCrary Sisters. The resulting full-length Just Like Medicine, released in August 2017 on Compass Records, features his first recording of “The Name of the Game,” an unreleased song by his father, Jim Croce.