Ian Pike 2 p.m., Dec. 7
Film utilizes iconic images and ideas from Kazimir Malevich’s emblematic 1918 painting "White on White" as a starting point and follows the observations and surveillance of a geophysicist code writer stuck in a futuristic city. The experimental fiction runs endlessly, with no beginning, middle or end, and never repeating the same way twice. 2011.
- Cost: $10