Ian Pike

Ian Pike
Ian Pike contributes to Feast. He loves to get tips about new restaurants, so reach out if you have something to share.

Articles by Ian Pike

Don’t be like me, people. Make good choices. Attend the theater.

Shows I meant to see

Till last Saturday, I had never seen Eve Ensler’s famous play, The Vagina Monologues. Since last Saturday, I have still not seen it. I began le weekend with America’s Finest Intentions. A friend would score ...

Find the Easter egg hidden in Urinetown

Hint: Don't be the bunny

Following O.B. Playhouse’s production of Urinetown: The Musical (directed by Jennie Gray Connard), I could ramble about the ins and outs of the real-life Malthusian trap on the edge of which we, the global population, ...

Margie's plight

It breaks my heart and fills me with acute dread at the prospect of walking a mile in Margie’s shoes...

One of my biggest fears in life is to wake up someday in more or less the same circumstances as Margie Walsh from David Lindsay-Abaire’s Good People (now playing at Scripps Ranch Theatre through February ...

Relative hate

These kids despise each other on a visceral level...

If I were a member of the Feygenbaum/Haber extended family circle that figures so prominently in Joshua Harmon’s Bad Jews, I would dread get-togethers (funereal or otherwise) at least as much as Daphna (Danielle Frimer) ...

Back to the 1940s

Advertisers got hip and realized that everybody was changing the channel when the commercials came on.

Not a lot of people know this, but I wasn’t actually around in the 1940s. It’s true! I was still waiting for my parents to get born so that I could get born; but I’ve ...

I stole my best friend's girl

Relating to The Mystery of Love and Sex

The playwright Bash Doran has come right out and said in interviews that The Mystery of Love and Sex is a play partly about race, partly family, and mostly sexuality; but that doesn’t mean we ...

What do you think about the kid thing?

Nobody needs a reason

At some point in American history, somewhere between Who’s Afraid of Virginia Woolf? and Sarah Gubbins’s The Kid Thing (playing at Moxie Theatre through December 11), parenthood became both super public and super discretionary. Back ...

Brush up on your Shakespeare

Despite its age, Measure for Measure is still surprisingly relevant.

Watching Measure for Measure — performed as part of the Old Globe’s “Globe for All” program, which injects free productions into unconventional venues all over town — I got deja vu listening to Angelo, the ...

Why burn happy memories?

Lately, I’ve waded into murky, nostalgic waters more than I prefer. I blame the dwindling sunlight of the waning summer, something about the way the shorter days call out the ephemeral and fleeting nature of ...

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