But "Farm" also furnished several of the evening's most riveting dishes, including two vastly different interpretations of foie gras. A tender "medallion" (a small, thin rectangle) came with diced chardonnay-braised pineapple and pine-nut brittle. The latter turned the dish into an edible (and delicious) hint of a culinary joke. The brittle made me think that this could be the foie gras recipe that Daisy Mae would cook for Li'l Abner after a vacation in Europe. (Before your time? Substitute Dolly Parton.) Tasting this, Jim made his evening's second surprise confession: He's never liked foie gras very much, but this one he loved -- mainly because the cut was thinner than usual.
Even better -- extraordinarily better -- was the smash hit of the evening and one of the best dishes I've tasted this or any other year. A foie gras crème brûlée ("25 percent foie gras, 75 percent cream," said the waiter), lightly sugared and seared on top, arrived in a ramekin as an ethereal custard to be spooned over thin, toasted slices of Bread & Cie's sumptuous anise-fig bread. Maybe some N.Y. or L.A. chef has come up with a similar idea, but it took genius to match it so ideally to create this heavenly manna. "Whew, this restaurant doesn't bite!" Jim burst out enthusiastically.
We tried two wholly satisfying red meat dishes. Savory, well-seasoned lamb meatballs came in a smoky, spicy tomato sauce that we all applauded, with firm grilled polenta and sprigs of wild arugula on the side. (What's the difference between wild and tame arugula? The "wild" version, arugula selvaggio, has smaller leaves and a stronger flavor -- and, take it from a gardener, its seeds are harder to germinate.) "Steak frite" offered a small flatiron steak marinated in red wine and cut into slices, arriving with garlic fries and a mini-cup of béarnaise sauce. The steak, rare as ordered, looked and cut like tenderloin, rather than the somewhat tougher flatiron, but had the latter's beefy flavor. The sauce, more acidic than usual, tasted as if it were made with white wine vinegar (a perfectly normal alternative to dry white wine). Tasting it straight, I wasn't mad for it, but when eaten with the steak, the fries, and the few tiny slices of yellow summer squash, it was just fine. The frites were perfect -- thin, crisp, and golden-brown.
We enjoyed all three of the desserts we ordered -- berry sabayon with vanilla ice cream, cream cheese bread pudding, and strawberry cobbler. The standout was the airy sabayon (an egg-yolk custard whipped into a frenzy, created by frenzied whipping -- or, in modern times, by a restaurant-supply foamer machine), with the mysterious but classic flavor undertone of a touch of Marsala.
If you're wondering how big a bite Bite will take out of your wallet, our indulgent feast -- 13 dishes for four people, with two rounds of drinks -- came to just $50 a head. After my July survey of "view" restaurants farther north, the price seems like a "best buy," and you can probably get away with less. So sit down and have a bite!
ABOUT THE CHEF
If you'd like to know Chris Walsh's life story, you'll find it on Bite's website. Since I interviewed him not too long ago for a review of Confidential, I had only a few fresh questions to bring things up to date. First was about the slight change in the direction of the food at Bite.
"When I was developing a menu for here," Walsh said, "and thinking about what I wanted to do next, I really wanted to continue with the 'small plates' concept, but I also was thinking about how at both Cafe W and Confidential we had a lot of Asian- and Latin-influenced dishes. And those are hard to pair with wines. You can only offer so many gewürztraminers and those lighter, fruitier styles of wine. At Confidential we had a full liquor license, and that was really the emphasis, while I knew that here, I would only have wines available. And also, my career started in Italian restaurants and with French cuisine, and I was thinking about getting back to that, because those cuisines are so wine-friendly. Legally, I can do the same dishes here that I did downtown, but I wanted to differentiate this restaurant from Confidential, because for me there's no point in doing two menus that are the same. My original concept for Bite was more of a wine bar with good food. We evolved into something different from that -- but there's a lot of wine bars in the area, yet none of them have really good food. So Bite developed from that philosophy of food and wine, where you'd try different glasses of wine to go with different dishes.
"We really wanted to create a fun atmosphere. I didn't want us to be stuffy or over-the-top like some of the downtown places that are all about grandeur. I wanted a place where I could reach out to the clientele I'd developed as far back as California Cuisine, and then again at W. But also have it be stylish enough to attract the twentysomethings, thinking about my future and cultivating future diners, because we hope to be in this location for quite a time. We see people in here who were clients at Cafe W, and it's really great because they always want to talk to me and tell me how glad they are that I'm back. I definitely like being up here again, close to home. It's so much more local and 'neighborhoody' here. I love that. Although I'm working much harder than I want to...
"We have a tighter crew, but we have more flexibility. Once a week, I can do new menu items, and that makes it fun for me and for my crew. I put on four new dishes this week. You get bored if you cook the same thing all the time.
"I'm still involved in Confidential, too. I left my sous-chef down there, and I talk with him on the phone once or twice a week, give him any help he needs. The menu there is still about 90 percent of what it was four months ago when I left."