Matthew Lickona 1:30 p.m., May 27
The Great Gatsby
Director Baz Luhrmann finds a suitable subject for the riotous excess of his directorial style in the riotous excess of the Jazz Age. By the time the onscreen parties lurch to a halt, you may feel a little buzzed yourself. Unfortunately, there's still rather a lot of movie remaining at that point, and the denouement stretches out like a nasty morning after. Luhrmann mostly stays faithful to F. Scott Fitzgerald's famous story of American self-invention and money-based morality, but only mostly. In stressing Gatsby's material greatness, he forgets the parts that make the poor suitor from the Midwest romantic, admirable, tragic, or even touching. We're left with an obsessive, deceptive little crook who is so bent on subjecting the Girl He Couldn’t Afford to his own gargantuan self-love that he demands she rewrite her own past for his sake. Ungreat. With Leonardo DiCaprio, Tobey Maguire, Carey Mulligan, Joel Edgerton. 2013.
- "Funny, Gatsby doesn't look Jewish" • May 16, 2013
- "Dear A Clockwork Orange: let The Great Gatsby be your guide to the wonderful world of merchandising!" • May 16, 2013
- "Never mind the Jay Gatsby; here comes the Jay-Z" • March 14, 2013
- "F. Scott Fitzgerald vs. The Movies on the set of The Great Gatsby: a Fantasy" • October 26, 2011