There’s more truth in Django Unchained about money and its ability to buy miscegenation than 
anything on display in Lincoln.

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Leo's Candyland

Quentin Tarantino fails to do for slave owners what he did for Nazis in this, his long-awaited western (southern?) follow-up to the epic war comedy Inglourious Basterds. Oscar-winner Christoph Waltz returns to the Tarantino fold ...


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