Car Show (2001), by John Valadez, whose imagery possesses more moral curiosity than moral rage, and his style has a visceral, romantic, pumped, and flung energy.

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The Racial Memory of John Valadez

When I saw Ridley Scott’s film Prometheus, I was reminded that our best filmmakers are now nearly sole proprietors of the visionary mood. Scott’s movie, with its spectral holographic conjurings of mythic ancestors spiraling through ...

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