Devastation and decay never looked so good. (John-Divola’s Zuma Beach 1977–’78)

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Big Black Sun

Art criticizes everything, especially the way art itself frames reality.

I know people who say they’re from the ’60s as some people say they’re from Paris or New York. It’s not descriptive, it’s declarative, proudly (or smugly) so, and vaguely definitive of their politics. I ...

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