Don't Diss "Papa Doug's" Friends in UT Book Section
Don Bauder 5:34 p.m., May 25
I still live for the holiday season. I love hearing The Nutcracker Suite.
But it’s a different feeling now. I am not jolted by adrenaline but filled with sadness because something is missing. People still ask me if I will dance again.
When I was two, my mom enrolled me in ballet just to keep me busy. I would go twice a week. I was not a fantastic dancer, but I loved it.
My mom is an interior designer, a vibrant, domineering woman. She always looks nice, no matter what is going on. Hair and nails are done regularly, and she wears heels, never sneakers. Her wardrobe is full of color that matches her flamboyant personality. Although she is authoritative, she has a certain grace. She describes herself to others as the “architect of interiors.” It’s an accurate description. She has that architectural firmness but also a softer elegance.
My dad is a public defender for San Diego County. He is a tall, dignified man. He graduated from San Diego State University and is a member of Phi Beta Sigma, the black fraternity. He is a kindhearted person. He rarely raises his voice. He avoids conflict and would rather talk a problem out. His is the voice of reason, though no one except my mom can ever win an argument with him. His lawyer side not only made him a great debater but a great confidant. I can remember coming to him when I was younger and had a problem.
“Talk to your daughter,” my mom would say to my dad when he got home from work. It was something she said only when I got in trouble. It was as if she would disown me for that moment.
“Daddy, I have to go to bed early,” I’d whimper as I approached him.
He always started off with “Tell me what happened?” His voice was soft. In those four simple words I felt the comfort and concern he had for me. This masked his underlying curiosity to dig through the story to find out what really transpired.
“Nothing,” I replied innocently, hoping my sad appearance would make him go easier on me.
“That’s not what your mother said.” Dang, he knew. They must have talked about it before he got home. There was no use lying to him. He always found out the truth.
“I went to the store with Mommy and I, uh, accidentally knocked over a vase. I didn’t break it or anything. But Mommy is acting like I did.”
“Doesn’t she always tell you not to touch anything?” His voice was sterner, less consoling.
“Yes, but…”
“But nothing. Why didn’t you listen to your mother?” Now he was becoming unsympathetic.
“I just wanted to see what it felt like. It had a pretty design on it, and I wanted to know if you could feel it. I didn’t think it would fall.” I started to cry.
“You shouldn’t have done it. I agree with your mother. Going to bed early is an appropriate punishment.”
I marched upstairs, unhappy with the outcome of this conversation.
I also remember him coming home upset and stressed over his new cases. He has defended murderers, rapists, and child molesters. He’s never done it for the money. He just wants to help people and do something he loves. With so much negativity from his job, we used the arts as an escape. The beauty from ballet and interior design offset the ugliness of crime that my dad worked with.
As an interior designer, my mom is involved in the visual arts. But, even as a lawyer, my dad’s court cases are like performances. Lines are practiced, witnesses are prepped, and the judge acts as the director, maintaining the flow. Dad is one of the performers.
My mom grew up in New York. She misses being close to the theater. She sometimes jokes about moving back East. Her favorite thing to say is “I am a city girl, and Temecula is too country for me.” She holds her head high, showing pride for where she was born and delighting in sharing it with others.
My dad did not originally intend to be a public defender. He wanted to be a district attorney. But he liked the freedom of making his own decisions rather than having to answer constantly to someone. He and I are similar in that way. We like freedom. That’s why I enjoy dance so much. There is nothing holding you back. It’s just you and the music.
In our suburban neighborhood, we are one of the few African-American families. Temecula is not known for diversity. There are Native Americans, because of Pechanga, but the area is predominately white. I did not have many African-American friends, maybe three or four in the whole 16 years I lived there. That was fine with me, though, because my family taught me not to see color.
Before each school year my parents would sit my sister and me down and explain the importance of doing well in school. My mom would stand in front of the TV in our family room as my sister and I sat on the sofa.
“You have to work twice as hard in order to be on the same playing field as all the other kids,” she would say, referring to the fact that we were the only black kids in class. She wanted to refute the stereotype that all black people are uneducated. Her speech always ended with “Education is the key.”
By the time my sister and I reached high school, we grew tired of this ritual. Sometimes she varied the words, but the message was the same. It was ingrained in our heads.
Although I lived in a white neighborhood, my parents made sure that my siblings and I were exposed to different cultures and lifestyles. We have driven to New York twice. On the way there, we saw that not everyone lived in nice houses like us and that there weren’t cities everywhere. In Kansas, there were miles and miles of fields, not a person in sight, just animals. We have taken a cruise and a trip or two to Mexico. And for my 16th birthday my mom and I went on a trip to France and Italy. Since we lived in between San Diego and Los Angeles, we had the option of going to either city to see plays. I was mesmerized by The Lion King, was enchanted by Wicked, and fell in love with The Nutcracker.
Once a year, my mother and I would drive down to San Diego for my Cachets ballet exam. The trip down I-15 seemed to take forever. I was always so anxious. If I did not pass the exam, I could not move on to the next level, so it was extremely important. We weren’t notified of the results until weeks later, so the ride home would be filled with questions about the exam.
“How did it go?” Mom would ask.
“Good,” I’d respond, still nervous from the exam.
“How do you think you did?” I could tell she wanted more than a one-word answer.
“Well, I know I did well at the barre. But I fell out of one of my pirouettes. It’s okay because I landed the other ones. And, I don’t know how, but my arabesques were really good, I remembered to keep my heel down. I just want to work on my splits, so that my grand jetés are better.” I hoped this was enough information.
“Do you think you passed?”
“Yes.” And I did. I was feeling more optimistic and confident in my performance.
After that, the one-hour drive seemed to go much quicker. My hard work paid off when I received the certificates in the mail. I still have them at home.
Although I had a passion for ballet, deep down I knew I would never be a professional. As the only African-American dancer at the ballet studio, I could tell I was not built like the other girls. I was thin, but I was not a stick like them. My butt would stick out when I did pliés, and no matter how hard I tried, it would not be flat. My thighs were very muscular, but they were not as lean as a professional dancer’s were. I just did not have the physique to be a principal ballerina in a company. I was okay with it, though. I loved dancing. I was happy.
My friend Hannah DeMattia went from Temecula to the Pittsburgh Ballet Theatre. Hannah was good. She was always the lead in our productions, and we could all tell she was going to go far. Although she was only a year or two older than us, everyone looked up to her.
I can remember going to the studio early and waiting outside along with the other girls to see the Nutcracker cast list go up. Everyone was in the production, but not everyone got the main roles. As the instructor taped up the list, there would be tears from girls who would be mice for the third year in a row and cheers from girls who made it into the “Waltz of the Flowers.” I would run back to my mom waiting in the car.
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Comments
Kathryneileen Dec. 3, 7:39 p.m.
Love this story. What made it moving was how the brother's illness gave the writer a new perspective, and how she is willing to put her family above her personal desires. Excellent.
Eva Dec. 9, 3:02 p.m.
This good story was so fresh and sincere I read it twice. Thank you, Cynthia Washington. Eva Knott
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