Hitchcock's formula for cross-country hide-and-seek, tested earlier in The Thirty-Nine Steps and Young and Innocent, lends itself readily to The War Effort in this alarm-ringer about The Enemy Within. In the course of it, Hitchcock finds room for numerous bright ideas that make you sit up in your seat: an impossible camera angle from the fugitive hero's point of view beneath the surface of a rippling creek; a fire extinguisher diabolically filled with gasoline; a truckload of circus freaks who democratically decide to offer the hero asylum; a latent homosexual spy; and a patriotic climax atop the Statue of Liberty. Robert Cummings, Priscilla Lane. (1942) — Duncan Shepherd
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