Moved by Movies

Cinephiles hope to spark sympathy for stranded migrants through the power of sepia-tinted film

“Never mind The Scarlet and the Black, we’ve got the orange and the brown.”
Azul & Co. first considered using The Great Escape for their project, but decided the notion of breaking out of prison and into Nazi-occupied territory was “a bit too fraught, given the current climate.”

“Has America ever seen Casablanca?” asks local film lover Roberto Azul. “Here you have a movie that is generally regarded as the second-greatest film of all time — right after Citizen Kane, which is, coincidentally, about a guy who inherits wealth, becomes a powerful media figure, goes into politics, and winds up as a miserable, morally bankrupt monster — and what’s it about? Migrants, driven from their homeland by violence and oppression, stuck in a rotten town at the edge of a continent and scrambling to find their way to America. Their situation makes them desperate, desperate enough to do terrible, foolish things. In the film, a young wife contemplates cheating on her husband in order to sway an official. In Tijuana, a bunch of moms took their kids on a border dash amid rounds of tear gas. Americans love this story, and it’s happening right on their doorstep.”

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To help drive the point home, Azul has spent the past couple of weeks producing a new version of the 1942 classic. “Well, not new, exactly. I tinted the image so that everyone looks brown instead of gray, and got a bunch of my friends to dub in Spanish dialogue. We’ll have English in subtitles, and we’re hoping that this new take on an old film will give people a fresh perspective on the brave, desperate souls hoping for passage to America. Who knows? It could be the beginning of a beautiful friendship.”

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