The opening shot is a film’s calling card, an image of introduction. The best of them shape, inform, and herald the tone for what lies ahead. So instead of wasting an audience’s time with an ...
Rojo: Alfredo Castro is the cop, but Darío Grandinetti’s not the killer... sort of. It gets complicated.
Posted August 21, 2019
Stories this photo appears in:
Benjamín Naishtat’s Rojo: More dead hippies