Ian Anderson 2:38 p.m., Dec. 10
San Diego Theater Reviews
Nora and Torvald end up on the bare wooden floor.
Lucas Hnath’s A Doll’s House, Part 2 begins where Henrik Ibsen’s masterpiece A Doll’s House ends. After 15 years on her own in the world, Nora Helmer returns to the door she slammed on her ...
By comparison, happiness looks like a sweaty pig.
Act one, scene two, of Hamlet begins with jubilation. King Claudius and Queen Gertrude celebrate their marriage. Rhinish wine spills from gleaming goblets. Bright colors swirl around the stage. Over in a corner — usually ...
Drood became the first Broadway musical using audience participation for the ending.
Young Charles Dickens worked as a law clerk. He delivered documents and ran errands and was bored beyond tears. He wanted to be a court stenographer – record an entire trial verbatim – but it ...
“Actually is about rape, but also The Title IX system which some accuse of making snap judgements.”
A friend compares history – i.e. what actually happened – to the Big Bang. He’s studied the JFK assassination for decades and says he can put three shooters in position: one in the Book Depository, ...
If she ever falls in love, her mate will die in a hundred days.
In “Hungry Heart,” Bruce Springstein sings: “We fell in love, I knew it had to end.” Wait! Hold up there, Boss. Zero to 60 and back, like that? What about love is love and not ...
Contemporary slang and F-bombs feel too linguistically liberated
“I am a revolution!” shouts Mary Woolley in Bryna Turner’s Bull in a China Shop, based on the famous teacher, activist, and President of Mount Holyoke College. She wants to convert the college from a ...
“They have not only crammed the songs into a formulaic story, they have Broadway-ized the music.”
The Heart of Rock & Roll goes flat line
It skips back and forth in time and parses out bits of conflicting information.
What is this, a rough draft?
“When he comes back, will I be ready?”
Self-absorbed black hole of a tyrant
“I would rather hear a dog bark at a crow...”
Much Ado about Nothing at the Old Globe
Instead of a heartfelt hug, Inna fires a hard right cross to Reina’s chin.
Martyna Majok’s ambitious Queens plays like a prospector who has found a giant gold nugget in the wilderness. Problem is: the prospector hasn’t a wagon big enough to carry it out, or an axe to ...