F. Scott Fitzgerald’s Princeton poetry
Like William Faulkner’s verse, many of his poems served as a training ground for his prose
- The Staying Up All Night
- The warm fire.
- The comfortable chairs.
- The merry companions.
- The stroke of twelve.
- The wild suggestion.
- The good sports.
- The man who hasn’t slept for weeks.
- The people who have done it before.
- The long anecdotes.
- The best looking girl yawns.
- The forced raillery.
- The stroke of one.
- The best looking girl goes to bed.
- The stroke of two.
- The empty pantry.
- The lack of firewood.
- The second best looking girl goes to bed.
- The weather-beaten ones who don’t.
- The stroke of four.
- The dozing off.
- The amateur ‘life of the party.’
- We Leave Tonight
- We leave to-night . . .
- Silent, we filled the still, deserted street,
- A column of dim gray,
- And ghosts rose startled at the muffled beat
- Along the moonless way;
- The shadowy shipyards echoed to the feet
- That turned from night and day.
- And so we linger on the windless decks,
- See on the spectre shore
- Shades of a thousand days, poor gray-ribbed wrecks . . .
- Oh, shall we then deplore
- Those futile years!
- See how the sea is white!
- The clouds have broken and the heavens burn
- To hollow highways, paved with gravelled light
- The churning of the waves about the stern
- Rises to one voluminous nocturne,
- . . . We leave to-night.
- Princeton: The Last Day
- The last light wanes and drifts across the land,
- The low, long land, the sunny land of spires.
- The ghosts of evening tune again their lyres
- And wander singing, in a plaintive band
- Down the long corridors of trees. Pale fires
- Echo the night from tower top to tower.
- Oh sleep that dreams and dream that never tires,
- Press from the petals of the lotus-flower
- Something of this to keep, the essence of an hour!
- No more to wait the twilight of the moon
- In this sequestrated vale of star and spire;
- For one, eternal morning of desire
- Passes to time and earthy afternoon.
- Here, Heracletus, did you build of fire
- And changing stuffs your prophecy far hurled
- Down the dead years; this midnight I aspire
- To see, mirrored among the embers, curled
- In flame, the splendor and the sadness of the world.
F. Scott Fitzgerald (1896-1940), an American novelist and short story writer, was the unofficial artistic spokesman for the Jazz Age (1920s-1930s). His fiction is filled with the excess and exaggerated exuberance that defined this era—although his own style, crafted with precision and discipline, and edged with a tragic tone, served as a perfect counterpoint to (and thereby transcended) the age about which he wrote. A victim of the these same excesses, however, he died of complications of “the bottle.” His early death precluded any firm estimation of his full potential as a writer; nonetheless, the work he did accomplish (especially The Great Gatsby (1925)) earned him a place among the great modern American novelists, including Ernest Hemingway and William Faulkner. Like Faulkner’s verse, many of his poems (written during his days as a Princeton student), served as a training ground for his prose, and like Hemingway’s verse, it was occasional but often pointed up the thematic concerns he also explored in his fiction.