Gravity movie poster

An illustrated existential crisis. Or, a survival story in which nearly every exterior event carries interior significance. Either way, it's gripping. The story is simple: an astronaut (a smooth-faced Sandra Bullock), cut loose from her spiritual moorings by a freak accident, is cut loose from her physical moorings by another freak accident. Now, just a hair's breadth from the cold embrace of the Big Nothing, she must struggle to find her way back to life. Also, earth. Director Alfonso Cuaron isn't shy about deploying Christian tropes — her journey back to life begins only after fellow astronaut George Clooney lays down his life for her and tells her how to be saved — to the point where it's fair to ask whether they're tropes at all. The camera does an enormous amount of the work here — now watching Bullock as she spins helplessly through space, now holding steady on her while the universe turns with her at its center, now slipping inside her helmet to watch the whirling maelstrom from her untethered point of view. 2013.

Matthew Lickona

This movie is not currently in theaters.


Dragonfly Oct. 7, 2013 @ 8:12 p.m.

No doubt Matthew is right that our protagonist's desire to get grounded has a twofold significance, just as the title has two meanings, but the story's spiritual side does little more than add a bit of poignancy to the final scene. The film is essentially a yarn with some fresh visual ideas, and we can happily settle for that. Personally, I would not have guessed that the sacrifice (deserving of a spoiler alert, Matthew) was meant to have Christian overtones; not every sacrifice in fiction needs to carry that weight. My main complaint would be the cloudy, headachy 3D image that made me wonder if I would have been better off with the 2D version. That said, the special effects are spellbinding, especially when things go smashy-smashy.


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