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Talk Dirty to Me

“Every gig we’re surprised by someone who looks like a vocal outcast but who burns the mike,” says Pickford’s Party drummer Eric Ganci, whose band plays live behind amateur singers at Rock Out Karaoke. “We do costumes and props, too, so we have the jean jacket and leather wrist strap for Billy Idol, a wig for Nirvana, that kind of thing.”

Ganci says their strangest contestant was at Viejas. “He was an older gentleman, about 75 to 80, wearing white gloves, a red Hawaiian shirt, and strutting with a cane. He sang well, but the song choice threw everyone — ‘Talk Dirty to Me,’ by Poison.”

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The band most often finds itself playing “Sweet Child o’ Mine” (Guns N’ Roses), “Rebel Yell” (Billy Idol), and for female singers, “Black Velvet” (Alannah Myles). “‘Sweet Home Alabama’ is so popular, we recently did it with about 20 singers, all at once.”

Least popular with the players are “Stay” (Lisa Loeb), “Island in the Sun” (Weezer), and “Brown Eyed Girl” (Van Morrison). “They’re all great tunes, but a little slower and easily overdone. Nobody likes hearing a favorite song butchered.”

Band faves include “Mother Mother” by Tracy Bonham and “Brick House” by the Commodores. “We just added ‘Ice, Ice Baby,’ and I hope it gets picked every time,” says Ganci. “We premiered it April 17, and the singer pulled off a great running-man move with about ten backup dancers.”

Not all contestants rock the mike. “When liquid courage has overwhelmed the performer or they’re headed to karaoke hell in a handbasket, then the band just sticks to the song.”

Ganci blames Who singer Roger Daltrey for their biggest dilemma. “Singers always want to swing the mike, and the sound guy will have none of that.

“We strongly encourage an energetic rock performance, but try to curb violent behavior.” You can burn the mike at Rock Out Karaoke tonight at the 710 Beach Club.

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“This is a top-notch production.”

“Every gig we’re surprised by someone who looks like a vocal outcast but who burns the mike,” says Pickford’s Party drummer Eric Ganci, whose band plays live behind amateur singers at Rock Out Karaoke. “We do costumes and props, too, so we have the jean jacket and leather wrist strap for Billy Idol, a wig for Nirvana, that kind of thing.”

Ganci says their strangest contestant was at Viejas. “He was an older gentleman, about 75 to 80, wearing white gloves, a red Hawaiian shirt, and strutting with a cane. He sang well, but the song choice threw everyone — ‘Talk Dirty to Me,’ by Poison.”

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The band most often finds itself playing “Sweet Child o’ Mine” (Guns N’ Roses), “Rebel Yell” (Billy Idol), and for female singers, “Black Velvet” (Alannah Myles). “‘Sweet Home Alabama’ is so popular, we recently did it with about 20 singers, all at once.”

Least popular with the players are “Stay” (Lisa Loeb), “Island in the Sun” (Weezer), and “Brown Eyed Girl” (Van Morrison). “They’re all great tunes, but a little slower and easily overdone. Nobody likes hearing a favorite song butchered.”

Band faves include “Mother Mother” by Tracy Bonham and “Brick House” by the Commodores. “We just added ‘Ice, Ice Baby,’ and I hope it gets picked every time,” says Ganci. “We premiered it April 17, and the singer pulled off a great running-man move with about ten backup dancers.”

Not all contestants rock the mike. “When liquid courage has overwhelmed the performer or they’re headed to karaoke hell in a handbasket, then the band just sticks to the song.”

Ganci blames Who singer Roger Daltrey for their biggest dilemma. “Singers always want to swing the mike, and the sound guy will have none of that.

“We strongly encourage an energetic rock performance, but try to curb violent behavior.” You can burn the mike at Rock Out Karaoke tonight at the 710 Beach Club.

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The latest copy of the Reader

Please enjoy this clickable Reader flipbook. Linked text and ads are flash-highlighted in blue for your convenience. To enhance your viewing, please open full screen mode by clicking the icon on the far right of the black flipbook toolbar.

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Jazz guitarist Alex Ciavarelli pays tribute to pianist Oscar Peterson

“I had to extract the elements that spoke to me and realize them on my instrument”
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Wild Wild Wets, Todo Mundo, Creepy Creeps, Laura Cantrell, Graham Nancarrow

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