On the Record

Lily Allen's Sheezus

After five years away from the spotlight, Lily Allen has a lot to catch up on. For her homecoming record, Sheezus, the U.K. pop star spends a good time getting reacquainted with the current pop ...

Ian Anderson's Homo Erraticus

Ian Anderson’s second solo album since quietly deep-spacing the Jethro Tull band moniker, and to boot his third excursion into his avatar Gerald Bostock, a child prodigy turned troubled adult. Only this time Bostock mostly ...

Familiars, by the Antlers

Brooklyn band is out of the bedroom and into your headroom

Brooklyn-based band the Antlers have developed in their meticulous way. After incubating as a solo recording project in Peter Silberman’s bedroom, they are now a lush, orchestrated group with melodious layering. Silberman crafted the Antlers’ ...

Chet Faker's Built on Glass

Since his cover of Blackstreet’s "No Diggity" on 2012's Thinking in Textures, Chet Faker has become an Australian poster boy for the foggy intersection of R&B and electronic soul, referred to some as “PBR&B.” Faker’s ...

Divide and Exit by Sleaford Mods

The current foul-mouthed darlings of music press from London to New York, Nottingham’s Sleaford Mods, have unleashed their eighth album, Divide and Exit. From the same neck of the woods as Robin Hood, Sleaford Mods’ ...

Zoe Muth's World of Strangers

The line of musical soldiers widening the Americana trail continues to increase, whether the attack leans in a hard-hitting, bad-ass direction or concocts idyllic portraits (“Chopping wood and carrying water, everything was better”). Zoe Muth ...

John Newman's Tribute

John Newman’s debut opens with a slow string section, a voice that sounds like the singer reading out great acts of ages past, and an electronically whirl-winded “Crystal,” from the AT&T Natural Voices® synthesized voice ...

Mac DeMarco's Salad Days

The third release from Mac DeMarco, a Brooklyn-via-Montreal singer/songwriter, depicts a man at a crossroads, surrounded with watershed moments and letters from home. The road previous was a laidback guitar-driven daydream, silly yet stunning, how ...

Lykke Li's I Never Learn

Heartbreak once again plagues indie darling Lykke Li. Previously, the singer expanded her break-ups into a larger-than-life drama. For her new album, I Never Learn, she wastes no time on fancy tricks, instead keeping her ...

Here and Nowhere Else by Cloud Nothings

On Cloud Nothings’ 2012 album Attack on Memory, producer Steve Albini scoured reverb and fuzz to expose singer Dylan Baldi's facility with bittersweet melody. With John Congleton producing, Here and Nowhere Else presents Cloud Nothings ...

Sufjan, Serengeti, and Son Lux are Sisyphus

The debut full-length from Sisyphus, an amalgamation of three disparate indie forces (Sufjan Stevens, Serengeti, Son Lux) commissioned by the Walker Art Center, is grounded in a thesis Sufjan relayed in a prerelease interview on ...

Morning Phase by Beck

Ever since he lo-fi'd his way onto the radio in the early ’90s, Beck has been a musical marvel, a savant, a weirdo. But times change. People change. Some people, musicians especially, don't age well. ...

Wasted Years, by OFF!

The second official LP by the blessedly angry OFF! is a hell of a ride. The group is taking the foot off the gas every once in a while, and the newfound dynamics pay dividends. ...

Drake Bell's Ready Steady Go!

The Kinks’ “Sunny Afternoon,” with its grousing about the taxman taking “all my dough,” might refer on the sly to Drake Bell’s ongoing bankruptcy, just as sardonic observations elsewhere on the glitter life sound like ...

Lost in the Dream with War on Drugs

The third album from Philadelphia band War On Drugs finds main man Andy Granduciel filling his hazy, melodic sound with scattered layers, long tones, and phantom drum machines, delivering a record that could soundtrack any ...

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