The title refers both to the film’s New Jersey locale and lead character (Adam Driver), a married bus driver who fancies himself a poet. We spend a week in the company of Driver’s driver and his onscreen wife, Laura (Golshifteh Farahani). The couple starts in love and stays in love with little more than an occasional bruised ego to set them at odds. This time, Jarmusch’s desire for abstraction finds its roots (and beauty) through recurring displays of mundanity. Life surrounds us with poetry, a fact Jarmusch and cinematographer Frederick Elmes (Blue Velvet) vivaciously bring attention to with every move of the camera. There’s not much in the way of action or negative emotions to drive the narrative, something bound to force off the mainstream. So what’s it all about? A filmmaker telling his story in pictures and the limitlessness of control he brings to his art. What more can one ask of cinema? (2016) — Scott Marks