On the Record

Bryan Deister — jack of all trades, master of none

Art-rock hopeful's sprawling Spines of the Heart reviewed

Publicity materials for Bryan Deister assert that he's a student at Berklee School of Music and that he has extensive experience in studying and performing music of all sorts, be it classical, jazz, straight-ahead rock, ...

Bad branding aside, the 1975 deserve to be heard

I Like It When You Sleep, for You Are So Beautiful Yet So Unaware of It reviewed

The 1975 aren’t going to win any best band name contests. And the lengthy title of their sophomore release — I Like It When You Sleep, for You Are So Beautiful Yet So Unaware of ...

Immerse yourself in A Moon Shaped Pool

Radiohead's latest revitalizes the album-format art form

The album is a dead art form. In a world dominated by digital downloads, shortened attention spans and an industry with a fetish for singles and airplay, music has lost it’s artistry. Gone are the ...

Colorado comfort — the Lumineers

A review of the folk-rock trio's sophomore set, Cleopatra

Behind a relentless touring schedule, the Lumineers gathered a fan base of a variety of music lovers. The pace at which their eponymous debut album caught on garnered a continuous cycle of music festivals and ...

The sloppy seduction of Parquet Courts

With Human Performance the atrocity continues...

There is something awful and intriguing about Parquet Courts — they’re awful in the best way possible. They charm you with sloppy guitars, lazy vocals, and nonsensical lyrics, which drape the bands discography, and on ...

Rocket From the Tombs reduces "Sonic Reducer" — again

Black Record covers covers

“You’re not my friend/ and that is fine,” croak-warbles David Thomas for starters. Circa 35 years ago, longtime Thomas-watcher Greil Marcus summed up the then-new music of Thomas’s Pere Ubu band, as someone who’d been ...

Yeasayer's latest like abstract art

Amen & Goodbye's an "experimental pop" success

Pink Floyd, is that you? “Daughters of Cain” eases you in to Yeasayer’s latest, with influences from Dark Side of the Moon. The echoing vocal harmonies and atmospheric gentleness morph into the jangling gypsy spirit ...

The Lost Poets do depression right

Insubordian Pt. 11's thick murk is where grunge might have gone

The Lost Poets are a faux-anonymous duo from Sweden consisting of David Rosengren (vocals, guitar) and Petter Ossian Strömberg (drums), and their specialty is striving to make the shriekiest, most downcast, most turgid and grinding ...

Steven Wilson's back with 4 1/2

The "king of prog" drops a B-sides record that bests most proper releases

With over 30 years of relativity, Steven Wilson has become a household name in Progressive Rock world. Quality over quantity is irrelevant when it comes to this UK native because he offers both. Most known ...

Eighties synth Matters

St. Lucia overwhelms on their latest outing

There’s no doubt St. Lucia draws some of their inspiration from ’80s synthpop music we all hate to love, but the genre has worked for a lot of artists. The mastermind behind St. Lucia, Jean-Philip ...


...off of Goldlink's latest, And After That, We Didn't talk

"No No No"

Title track from Beirut's latest record

"I Feel Love (Every Million Miles)"

...off of Dead Weather's new record, Dodge and Burn

"Bad Betty"

...off of This Is the Sonics

"I Can See for Miles"

Vanilla Fudge's take on a Who classic track, available on Spirit of '67

"What Went Down"

Title track off of Foals latest record


...off of Miguel's latest, Wildheart


A Soundtrack by Dr. Dre, announced on The Pharmacy

"Bingo Ringo"

...title track off of the latest from Half Japanese

"Guitars and Microphones"

Title track off of Kate Pierson's solo record.

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