On the Record

Millsted's Harlem

After some bumps in the road, Millsted, a noise-punk band from Brooklyn, have hit their hardcore stride with this year’s Harlem. Vocalist Kevin Uffre is at full throttle here, and his manic shredding is matched ...

Goodbye Yellow Brick Road

40th Anniversary Super Deluxe Edition

The misogyny trilogy still rankles, lyric-wise anyway, although “All the Girls Love Alice,” which can’t even decide if Alice’s customers rank with the young girls or “middle-aged dykes,” seems to have grown some cred of ...

Hypnotic Eye, subtle thunder

Tom Petty and the Heartbreakers' latest rings the Billboard bell at number one

Tom Petty and the Heartbreakers’ 13th studio release is a hard-rocking, well-written gem. Petty’s first (ever!) number-one-selling record on the Billboard charts. Though a seasoned veteran, Petty’s voice sounds as fresh and rebellious as it ...

Curtis Harding's got Soul Power

Curtis Harding's neo-soul debut is multi-faceted — complex yet easygoing. It sounds as if Harding's been a successful solo artist for decades, not a man whose recent gig was as backup for CeeLo Green and, ...

We Are Only What We Feel, by NONONO

Synth-pop alive and kicking on Stockholm band's debut record

The verdict is in: synth-pop is here to stay. We Are Only What We Feel, the debut album from Stockholm based NONONO, does it wisely. The album features crisp, polished melodies and enticing beats. Given ...

Ultraviolence, by Lana Del Rey

Lana Del Rey is an enigmatic figure, unable to be imitated, and befitting someone on their own, she’s lonely. Ultraviolence threads that feeling — a seedy, hyper-romanticized sense of isolation and loss — inflating it ...

Lily Allen's Sheezus

After five years away from the spotlight, Lily Allen has a lot to catch up on. For her homecoming record, Sheezus, the U.K. pop star spends a good time getting reacquainted with the current pop ...

Ian Anderson's Homo Erraticus

Ian Anderson’s second solo album since quietly deep-spacing the Jethro Tull band moniker, and to boot his third excursion into his avatar Gerald Bostock, a child prodigy turned troubled adult. Only this time Bostock mostly ...

Familiars, by the Antlers

Brooklyn band is out of the bedroom and into your headroom

Brooklyn-based band the Antlers have developed in their meticulous way. After incubating as a solo recording project in Peter Silberman’s bedroom, they are now a lush, orchestrated group with melodious layering. Silberman crafted the Antlers’ ...

Chet Faker's Built on Glass

Since his cover of Blackstreet’s "No Diggity" on 2012's Thinking in Textures, Chet Faker has become an Australian poster boy for the foggy intersection of R&B and electronic soul, referred to some as “PBR&B.” Faker’s ...

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