Robert Duffy 1 p.m., Aug. 21
Sound description: Witty pop-rock.
RIYL: PJ Harvey, Edie Brickell and the New Bohemians, Laura Nyro
Upcoming Local Shows
- "Local Band Ch-ch-changes" · Jan. 31, 2014
- "Wendy Bailey's Lovely Guitars" · Oct. 24, 2012
- "Pop Rocks" · April 8, 2009
Influences: PJ Harvey, Edie Brickell, Jeff Buckley, Sheryl Crow, Pete Townshend, Fiona Apple, BRMC, Carole King, Cindy Lee Berryhill, Muse, Laura Nyro, Velocity Girl, Liz Phair, Jimmy Eat World
"I play melodic pop-rock music,” says Vista singer/songwriter Wendy Bailey. “Think Foo Fighters with an Annie Lennox-ish type lead voice. I’ve had comparisons like Velocity Girl, Liz Phair, and Jimmy Eat World.” Bailey is an old-fashioned pop songstress with a big splashy sound akin to, say, Carole King or Sheryl Crow.
“Most of my songs are short, sweet, and full of jangly pop hooks,” says Bailey. “Basically, it’s melodic pop rock. It becomes more melodic as I get more focused on my guitar playing, which used to be more or less secondary to the lyrics.”
Originally from Colorado, Bailey was the youngest of three siblings, one of whom inspired her first musical aspirations. “My older sister played piano and violin, so those were the first instruments I learned on, when I was around eight. But I also wanted to sing, so I later picked up the guitar and started learning [to play] when I was in junior high. That seemed like the most efficient way to evolve into a solo singer/songwriter. I got a Fender Telecaster and then a Gibson Les Paul Studio, [and] I got a locally made Taylor that kept sounding better over time, the more I played it.”
Bailey attended Seattle Pacific University in Washington, where she began gigging at area venues, and she spent a short time plying her sonic trade in Nashville before landing in San Diego in 2002.
She says San Diego isn’t the easiest place to be a so-called chick rocker. “Sometimes it’s a challenge convincing folks, particularly clubs, that I’m a rock and pop artist and not a singer-slash-songwriter. I do scale down my show on occasion for acoustic sets — I’d rather have an acoustic gig than no gig — but I’m primarily a rock-band kind of musician. I’m always looking for a chance to connect with a wide-ranging crowd.”
That connection sometimes happens one on one, thanks to her online, on-demand Wendy’s Virtual Show. “It’s a video-chat concert, where someone can request a time and a day for me to give them a live concert performance on the computer. All they need is video-chat capability.”
“I usually do my own songs, but I might tackle the occasional cover.”
Bailey’s self-released EP It Ain’t Rocket Surgery was rereleased in early 2009 by local Blindspot Records, who also issued her 2011 CD String Theory. Produced by Mike Kamoo (the Stereotypes, the Loons etc.), String Theory is indie rock by default, but actually covers a lot of stylistic ground, with songs penned by both Bailey and Bart Mendoza as well as lead vocals from both. Guest appearances include Lee Harding (backing vocals) of Echo Revolution and Ed Kornhauser of Purity of Essence (keys).
In November 2011, the British music zine Heavy Soul (#9) included a free 13-track CD with Bailey’s “Can’t Seem to Make You Mine” (exclusive alternate mix) and the Shambles’ “Mod Radio UK” jingle. The December 30 release party for her CD String Theory at Bar Pink included her band playing the entire album, with a second set featuring guest players covering a dozen classic rock and R&B cuts.
The first single from String Theory was “Nothing Left to Say.” The album was nominated for Best Pop Album at the 2012 San Diego Music Awards (which also gave her Best Pop noms in 2009, 2010, and 2011).
“I’m at a unique crossroads music-wise,” Bailey told the Reader in Autumn 2012. “I turned down a representation and a recording contract from a Nashville agency after months of discussion, I’m playing sans band for now...interesting times. But excited for however and wherever it lands.”
In early 2013, the song “Tow the Line” by Bailey with her previous band True Stories (now backing Bart Mendoza) appeared on the compilation album Power Pop Planet - Volume Two, issued by Colorado-based blog Pop Geek Heaven.