Jay Allen Sanford 8 p.m., Jan. 28
RIYL: Rats Eyes
Upcoming Local Shows
- The Casbah — Tuesday, February 10, 8pm
- "Retox Tour Documentary" · May 14, 2013
- "Retox, Secret Fun Club, Anthrot, and Innerds at the Che Cafe" · March 20, 2013
- "Retox to Pelease YPLL via Epitaph Records" · Feb. 27, 2013
- "Retox West Coast tour With Tomahawk" · Feb. 10, 2013
- "Emotional Strings" · May 9, 2012
- Blurt: "Super Weird, Super Rare Vinyl" · Nov. 22, 2011
- Jam Session: "ReTox Heading Back to Europe" · Sept. 2, 2011
- Jam Session: "Retox Return to The Yard" · July 29, 2011
- Jam Session:"Retox on Ipecac" · May 24, 2011
Inception: San Diego, 2010
Influences: The Locust, Some Girls, Holy Molar, Rats Eyes, Festival of Dead Deer
Pissed-off thrash punk quartet Retox was founded in 2010 by Justin Pearson (the Locust, Holy Molar, Head Wound City, Some Girls, Swing Kids) and Gabe Serbian (the Locust, Holy Molar, Head Wound City, Rats Eyes), along with Michael Crain (Festival of Dead Deer), and Thor Dickey. Their self-titled debut EP from ThreeOneG Records was released on vinyl in late 2010.
The band made its Casbah debut on Friday, January 7, 2011. A few months later, they signed on with Ipecac Recordings, co-founded by Mike Patton (Faith No More, Mr. Bungle), to release their debut full-length Ugly Animals.
“The Ipecac team is over the moon about working with ReTox,” said label co-owner Greg Werckman in a press release. “We think they are a perfect fit with our eclectic roster, fitting comfortably with other original artists like the Melvins and ISIS.”
Having released material on Ipecac with the The Locust in the past, ReTox now shares the roster with Orthrealm, Mouse on Mars, several of Zach Hill’s (Hella) projects, and most of Ipecac co-owner Mike Patton’s band projects (Faith No More, Mr. Bungle, Fantomas, etc.). They subsequently embarked on a short European tour.
June 24, 2011, Pearson appeared on the first episode of Young, Broke, and Beautiful, an “off the beaten path” travel show, aired on the Independent Film Channel. When it aired, he was touring Europe with other surviving members of the reunited Swing Kids (now known as Blue Note), who split after the death of co-founding guitarist Eric Allen.
“I would find myself onstage, and these emotional strings were being pulled. Even though I’m an atheist, in a sense it made me feel as if Eric was living on...what he and I shared as musicians and friends, those elements have carried on into all my projects.”
Retox’s August 2011 album Ugly Animals sports a cover designed by Brandon McMinn, who also did the cover of Justin Pearson’s book From the Graveyard of the Arousal Industry. The all-analog release was recorded in March with Manny Nieto and Retox co-producing.
Just before they spent November 2011 touring England and Europe, Pearson was asked to be in a documentary film about Misfits record collecting called 77-83. Their February 16, 2012 Casbah show was the first date of a west coast tour that took them through Long Beach, Los Angeles, San Francisco, and Palm Springs, including a San Diego show with OFF! (5-14 Casbah), before they joined mathcore outfit Narrows for a trio of dates that cover Seattle, Portland, and Seattle.
In August 2012, the band won Best Hard Rock Album at the San Diego Music Awards, while they were recording their second full-length called YPLL (an acronym for “Years of Potential Life Lost”). After returning from a West Coast tour with Tomahawk, they released YPLL via Epitaph Records in May, 2013.
An accompanying YPLL documentary film features tour footage and interviews with members of Melvins, Yeah Yeah Yeahs, Tomahawk, Antioch Arrow, Holy Molar, Head Wound City, Regents, and Dangerous Boys Club, among others.
In 2014, they appeared at Mexico's Festival NRMAL, featuring over 50 bands in two cities: Mexico City (March 1) and Monterrey (March 5 through 9), where the Retox set was staged. A short eight-date west coast tour with fellow locals Hot Nerds (as well as Doomsday Student) kicked off October 4 in Santa Ana and wrapped October 11 in L.A.
A new video for "Let's Not Keep In Touch" preceded their full-length Beneath California, released February 10, 2015, via Epitaph.